1 const char* szBeginner = "<!DOCTYPE html PUBLIC \"-//W3C//DTD XHTML 1.1//EN\"\n\
2     \"http://www.w3.org/TR/xhtml11/DTD/xhtml11.dtd\">\n\
3 <html xmlns=\"http://www.w3.org/1999/xhtml\" xml:lang=\"en\">\n\
4 <head>\n\
5 <meta http-equiv=\"Content-Type\" content=\"application/xhtml+xml; charset=UTF-8\" />\n\
6 <meta name=\"generator\" content=\"AsciiDoc 8.6.9\" />\n\
7 <title>Beginners' Guide to Fldigi</title>\n\
8 <style type=\"text/css\">\n\
9 /* Shared CSS for AsciiDoc xhtml11 and html5 backends */\n\
10 \n\
11 /* Default font. */\n\
12 body {\n\
13   font-family: Georgia,serif;\n\
14 }\n\
15 \n\
16 /* Title font. */\n\
17 h1, h2, h3, h4, h5, h6,\n\
18 div.title, caption.title,\n\
19 thead, p.table.header,\n\
20 #toctitle,\n\
21 #author, #revnumber, #revdate, #revremark,\n\
22 #footer {\n\
23   font-family: Arial,Helvetica,sans-serif;\n\
24 }\n\
25 \n\
26 body {\n\
27   margin: 1em 5% 1em 5%;\n\
28 }\n\
29 \n\
30 a {\n\
31   color: blue;\n\
32   text-decoration: underline;\n\
33 }\n\
34 a:visited {\n\
35   color: fuchsia;\n\
36 }\n\
37 \n\
38 em {\n\
39   font-style: italic;\n\
40   color: navy;\n\
41 }\n\
42 \n\
43 strong {\n\
44   font-weight: bold;\n\
45   color: #083194;\n\
46 }\n\
47 \n\
48 h1, h2, h3, h4, h5, h6 {\n\
49   color: #527bbd;\n\
50   margin-top: 1.2em;\n\
51   margin-bottom: 0.5em;\n\
52   line-height: 1.3;\n\
53 }\n\
54 \n\
55 h1, h2, h3 {\n\
56   border-bottom: 2px solid silver;\n\
57 }\n\
58 h2 {\n\
59   padding-top: 0.5em;\n\
60 }\n\
61 h3 {\n\
62   float: left;\n\
63 }\n\
64 h3 + * {\n\
65   clear: left;\n\
66 }\n\
67 h5 {\n\
68   font-size: 1.0em;\n\
69 }\n\
70 \n\
71 div.sectionbody {\n\
72   margin-left: 0;\n\
73 }\n\
74 \n\
75 hr {\n\
76   border: 1px solid silver;\n\
77 }\n\
78 \n\
79 p {\n\
80   margin-top: 0.5em;\n\
81   margin-bottom: 0.5em;\n\
82 }\n\
83 \n\
84 ul, ol, li > p {\n\
85   margin-top: 0;\n\
86 }\n\
87 ul > li     { color: #aaa; }\n\
88 ul > li > * { color: black; }\n\
89 \n\
90 .monospaced, code, pre {\n\
91   font-family: \"Courier New\", Courier, monospace;\n\
92   font-size: inherit;\n\
93   color: navy;\n\
94   padding: 0;\n\
95   margin: 0;\n\
96 }\n\
97 pre {\n\
98   white-space: pre-wrap;\n\
99 }\n\
100 \n\
101 #author {\n\
102   color: #527bbd;\n\
103   font-weight: bold;\n\
104   font-size: 1.1em;\n\
105 }\n\
106 #email {\n\
107 }\n\
108 #revnumber, #revdate, #revremark {\n\
109 }\n\
110 \n\
111 #footer {\n\
112   font-size: small;\n\
113   border-top: 2px solid silver;\n\
114   padding-top: 0.5em;\n\
115   margin-top: 4.0em;\n\
116 }\n\
117 #footer-text {\n\
118   float: left;\n\
119   padding-bottom: 0.5em;\n\
120 }\n\
121 #footer-badges {\n\
122   float: right;\n\
123   padding-bottom: 0.5em;\n\
124 }\n\
125 \n\
126 #preamble {\n\
127   margin-top: 1.5em;\n\
128   margin-bottom: 1.5em;\n\
129 }\n\
130 div.imageblock, div.exampleblock, div.verseblock,\n\
131 div.quoteblock, div.literalblock, div.listingblock, div.sidebarblock,\n\
132 div.admonitionblock {\n\
133   margin-top: 1.0em;\n\
134   margin-bottom: 1.5em;\n\
135 }\n\
136 div.admonitionblock {\n\
137   margin-top: 2.0em;\n\
138   margin-bottom: 2.0em;\n\
139   margin-right: 10%;\n\
140   color: #606060;\n\
141 }\n\
142 \n\
143 div.content { /* Block element content. */\n\
144   padding: 0;\n\
145 }\n\
146 \n\
147 /* Block element titles. */\n\
148 div.title, caption.title {\n\
149   color: #527bbd;\n\
150   font-weight: bold;\n\
151   text-align: left;\n\
152   margin-top: 1.0em;\n\
153   margin-bottom: 0.5em;\n\
154 }\n\
155 div.title + * {\n\
156   margin-top: 0;\n\
157 }\n\
158 \n\
159 td div.title:first-child {\n\
160   margin-top: 0.0em;\n\
161 }\n\
162 div.content div.title:first-child {\n\
163   margin-top: 0.0em;\n\
164 }\n\
165 div.content + div.title {\n\
166   margin-top: 0.0em;\n\
167 }\n\
168 \n\
169 div.sidebarblock > div.content {\n\
170   background: #ffffee;\n\
171   border: 1px solid #dddddd;\n\
172   border-left: 4px solid #f0f0f0;\n\
173   padding: 0.5em;\n\
174 }\n\
175 \n\
176 div.listingblock > div.content {\n\
177   border: 1px solid #dddddd;\n\
178   border-left: 5px solid #f0f0f0;\n\
179   background: #f8f8f8;\n\
180   padding: 0.5em;\n\
181 }\n\
182 \n\
183 div.quoteblock, div.verseblock {\n\
184   padding-left: 1.0em;\n\
185   margin-left: 1.0em;\n\
186   margin-right: 10%;\n\
187   border-left: 5px solid #f0f0f0;\n\
188   color: #888;\n\
189 }\n\
190 \n\
191 div.quoteblock > div.attribution {\n\
192   padding-top: 0.5em;\n\
193   text-align: right;\n\
194 }\n\
195 \n\
196 div.verseblock > pre.content {\n\
197   font-family: inherit;\n\
198   font-size: inherit;\n\
199 }\n\
200 div.verseblock > div.attribution {\n\
201   padding-top: 0.75em;\n\
202   text-align: left;\n\
203 }\n\
204 /* DEPRECATED: Pre version 8.2.7 verse style literal block. */\n\
205 div.verseblock + div.attribution {\n\
206   text-align: left;\n\
207 }\n\
208 \n\
209 div.admonitionblock .icon {\n\
210   vertical-align: top;\n\
211   font-size: 1.1em;\n\
212   font-weight: bold;\n\
213   text-decoration: underline;\n\
214   color: #527bbd;\n\
215   padding-right: 0.5em;\n\
216 }\n\
217 div.admonitionblock td.content {\n\
218   padding-left: 0.5em;\n\
219   border-left: 3px solid #dddddd;\n\
220 }\n\
221 \n\
222 div.exampleblock > div.content {\n\
223   border-left: 3px solid #dddddd;\n\
224   padding-left: 0.5em;\n\
225 }\n\
226 \n\
227 div.imageblock div.content { padding-left: 0; }\n\
228 span.image img { border-style: none; vertical-align: text-bottom; }\n\
229 a.image:visited { color: white; }\n\
230 \n\
231 dl {\n\
232   margin-top: 0.8em;\n\
233   margin-bottom: 0.8em;\n\
234 }\n\
235 dt {\n\
236   margin-top: 0.5em;\n\
237   margin-bottom: 0;\n\
238   font-style: normal;\n\
239   color: navy;\n\
240 }\n\
241 dd > *:first-child {\n\
242   margin-top: 0.1em;\n\
243 }\n\
244 \n\
245 ul, ol {\n\
246     list-style-position: outside;\n\
247 }\n\
248 ol.arabic {\n\
249   list-style-type: decimal;\n\
250 }\n\
251 ol.loweralpha {\n\
252   list-style-type: lower-alpha;\n\
253 }\n\
254 ol.upperalpha {\n\
255   list-style-type: upper-alpha;\n\
256 }\n\
257 ol.lowerroman {\n\
258   list-style-type: lower-roman;\n\
259 }\n\
260 ol.upperroman {\n\
261   list-style-type: upper-roman;\n\
262 }\n\
263 \n\
264 div.compact ul, div.compact ol,\n\
265 div.compact p, div.compact p,\n\
266 div.compact div, div.compact div {\n\
267   margin-top: 0.1em;\n\
268   margin-bottom: 0.1em;\n\
269 }\n\
270 \n\
271 tfoot {\n\
272   font-weight: bold;\n\
273 }\n\
274 td > div.verse {\n\
275   white-space: pre;\n\
276 }\n\
277 \n\
278 div.hdlist {\n\
279   margin-top: 0.8em;\n\
280   margin-bottom: 0.8em;\n\
281 }\n\
282 div.hdlist tr {\n\
283   padding-bottom: 15px;\n\
284 }\n\
285 dt.hdlist1.strong, td.hdlist1.strong {\n\
286   font-weight: bold;\n\
287 }\n\
288 td.hdlist1 {\n\
289   vertical-align: top;\n\
290   font-style: normal;\n\
291   padding-right: 0.8em;\n\
292   color: navy;\n\
293 }\n\
294 td.hdlist2 {\n\
295   vertical-align: top;\n\
296 }\n\
297 div.hdlist.compact tr {\n\
298   margin: 0;\n\
299   padding-bottom: 0;\n\
300 }\n\
301 \n\
302 .comment {\n\
303   background: yellow;\n\
304 }\n\
305 \n\
306 .footnote, .footnoteref {\n\
307   font-size: 0.8em;\n\
308 }\n\
309 \n\
310 span.footnote, span.footnoteref {\n\
311   vertical-align: super;\n\
312 }\n\
313 \n\
314 #footnotes {\n\
315   margin: 20px 0 20px 0;\n\
316   padding: 7px 0 0 0;\n\
317 }\n\
318 \n\
319 #footnotes div.footnote {\n\
320   margin: 0 0 5px 0;\n\
321 }\n\
322 \n\
323 #footnotes hr {\n\
324   border: none;\n\
325   border-top: 1px solid silver;\n\
326   height: 1px;\n\
327   text-align: left;\n\
328   margin-left: 0;\n\
329   width: 20%;\n\
330   min-width: 100px;\n\
331 }\n\
332 \n\
333 div.colist td {\n\
334   padding-right: 0.5em;\n\
335   padding-bottom: 0.3em;\n\
336   vertical-align: top;\n\
337 }\n\
338 div.colist td img {\n\
339   margin-top: 0.3em;\n\
340 }\n\
341 \n\
342 @media print {\n\
343   #footer-badges { display: none; }\n\
344 }\n\
345 \n\
346 #toc {\n\
347   margin-bottom: 2.5em;\n\
348 }\n\
349 \n\
350 #toctitle {\n\
351   color: #527bbd;\n\
352   font-size: 1.1em;\n\
353   font-weight: bold;\n\
354   margin-top: 1.0em;\n\
355   margin-bottom: 0.1em;\n\
356 }\n\
357 \n\
358 div.toclevel0, div.toclevel1, div.toclevel2, div.toclevel3, div.toclevel4 {\n\
359   margin-top: 0;\n\
360   margin-bottom: 0;\n\
361 }\n\
362 div.toclevel2 {\n\
363   margin-left: 2em;\n\
364   font-size: 0.9em;\n\
365 }\n\
366 div.toclevel3 {\n\
367   margin-left: 4em;\n\
368   font-size: 0.9em;\n\
369 }\n\
370 div.toclevel4 {\n\
371   margin-left: 6em;\n\
372   font-size: 0.9em;\n\
373 }\n\
374 \n\
375 span.aqua { color: aqua; }\n\
376 span.black { color: black; }\n\
377 span.blue { color: blue; }\n\
378 span.fuchsia { color: fuchsia; }\n\
379 span.gray { color: gray; }\n\
380 span.green { color: green; }\n\
381 span.lime { color: lime; }\n\
382 span.maroon { color: maroon; }\n\
383 span.navy { color: navy; }\n\
384 span.olive { color: olive; }\n\
385 span.purple { color: purple; }\n\
386 span.red { color: red; }\n\
387 span.silver { color: silver; }\n\
388 span.teal { color: teal; }\n\
389 span.white { color: white; }\n\
390 span.yellow { color: yellow; }\n\
391 \n\
392 span.aqua-background { background: aqua; }\n\
393 span.black-background { background: black; }\n\
394 span.blue-background { background: blue; }\n\
395 span.fuchsia-background { background: fuchsia; }\n\
396 span.gray-background { background: gray; }\n\
397 span.green-background { background: green; }\n\
398 span.lime-background { background: lime; }\n\
399 span.maroon-background { background: maroon; }\n\
400 span.navy-background { background: navy; }\n\
401 span.olive-background { background: olive; }\n\
402 span.purple-background { background: purple; }\n\
403 span.red-background { background: red; }\n\
404 span.silver-background { background: silver; }\n\
405 span.teal-background { background: teal; }\n\
406 span.white-background { background: white; }\n\
407 span.yellow-background { background: yellow; }\n\
408 \n\
409 span.big { font-size: 2em; }\n\
410 span.small { font-size: 0.6em; }\n\
411 \n\
412 span.underline { text-decoration: underline; }\n\
413 span.overline { text-decoration: overline; }\n\
414 span.line-through { text-decoration: line-through; }\n\
415 \n\
416 div.unbreakable { page-break-inside: avoid; }\n\
417 \n\
418 \n\
419 /*\n\
420  * xhtml11 specific\n\
421  *\n\
422  * */\n\
423 \n\
424 div.tableblock {\n\
425   margin-top: 1.0em;\n\
426   margin-bottom: 1.5em;\n\
427 }\n\
428 div.tableblock > table {\n\
429   border: 3px solid #527bbd;\n\
430 }\n\
431 thead, p.table.header {\n\
432   font-weight: bold;\n\
433   color: #527bbd;\n\
434 }\n\
435 p.table {\n\
436   margin-top: 0;\n\
437 }\n\
438 /* Because the table frame attribute is overriden by CSS in most browsers. */\n\
439 div.tableblock > table[frame=\"void\"] {\n\
440   border-style: none;\n\
441 }\n\
442 div.tableblock > table[frame=\"hsides\"] {\n\
443   border-left-style: none;\n\
444   border-right-style: none;\n\
445 }\n\
446 div.tableblock > table[frame=\"vsides\"] {\n\
447   border-top-style: none;\n\
448   border-bottom-style: none;\n\
449 }\n\
450 \n\
451 \n\
452 /*\n\
453  * html5 specific\n\
454  *\n\
455  * */\n\
456 \n\
457 table.tableblock {\n\
458   margin-top: 1.0em;\n\
459   margin-bottom: 1.5em;\n\
460 }\n\
461 thead, p.tableblock.header {\n\
462   font-weight: bold;\n\
463   color: #527bbd;\n\
464 }\n\
465 p.tableblock {\n\
466   margin-top: 0;\n\
467 }\n\
468 table.tableblock {\n\
469   border-width: 3px;\n\
470   border-spacing: 0px;\n\
471   border-style: solid;\n\
472   border-color: #527bbd;\n\
473   border-collapse: collapse;\n\
474 }\n\
475 th.tableblock, td.tableblock {\n\
476   border-width: 1px;\n\
477   padding: 4px;\n\
478   border-style: solid;\n\
479   border-color: #527bbd;\n\
480 }\n\
481 \n\
482 table.tableblock.frame-topbot {\n\
483   border-left-style: hidden;\n\
484   border-right-style: hidden;\n\
485 }\n\
486 table.tableblock.frame-sides {\n\
487   border-top-style: hidden;\n\
488   border-bottom-style: hidden;\n\
489 }\n\
490 table.tableblock.frame-none {\n\
491   border-style: hidden;\n\
492 }\n\
493 \n\
494 th.tableblock.halign-left, td.tableblock.halign-left {\n\
495   text-align: left;\n\
496 }\n\
497 th.tableblock.halign-center, td.tableblock.halign-center {\n\
498   text-align: center;\n\
499 }\n\
500 th.tableblock.halign-right, td.tableblock.halign-right {\n\
501   text-align: right;\n\
502 }\n\
503 \n\
504 th.tableblock.valign-top, td.tableblock.valign-top {\n\
505   vertical-align: top;\n\
506 }\n\
507 th.tableblock.valign-middle, td.tableblock.valign-middle {\n\
508   vertical-align: middle;\n\
509 }\n\
510 th.tableblock.valign-bottom, td.tableblock.valign-bottom {\n\
511   vertical-align: bottom;\n\
512 }\n\
513 \n\
514 \n\
515 /*\n\
516  * manpage specific\n\
517  *\n\
518  * */\n\
519 \n\
520 body.manpage h1 {\n\
521   padding-top: 0.5em;\n\
522   padding-bottom: 0.5em;\n\
523   border-top: 2px solid silver;\n\
524   border-bottom: 2px solid silver;\n\
525 }\n\
526 body.manpage h2 {\n\
527   border-style: none;\n\
528 }\n\
529 body.manpage div.sectionbody {\n\
530   margin-left: 3em;\n\
531 }\n\
532 \n\
533 @media print {\n\
534   body.manpage div#toc { display: none; }\n\
535 }\n\
536 \n\
537 \n\
538 </style>\n\
539 <script type=\"text/javascript\">\n\
540 /*<![CDATA[*/\n\
541 var asciidoc = {  // Namespace.\n\
542 \n\
543 /////////////////////////////////////////////////////////////////////\n\
544 // Table Of Contents generator\n\
545 /////////////////////////////////////////////////////////////////////\n\
546 \n\
547 /* Author: Mihai Bazon, September 2002\n\
548  * http://students.infoiasi.ro/~mishoo\n\
549  *\n\
550  * Table Of Content generator\n\
551  * Version: 0.4\n\
552  *\n\
553  * Feel free to use this script under the terms of the GNU General Public\n\
554  * License, as long as you do not remove or alter this notice.\n\
555  */\n\
556 \n\
557  /* modified by Troy D. Hanson, September 2006. License: GPL */\n\
558  /* modified by Stuart Rackham, 2006, 2009. License: GPL */\n\
559 \n\
560 // toclevels = 1..4.\n\
561 toc: function (toclevels) {\n\
562 \n\
563   function getText(el) {\n\
564     var text = \"\";\n\
565     for (var i = el.firstChild; i != null; i = i.nextSibling) {\n\
566       if (i.nodeType == 3 /* Node.TEXT_NODE */) // IE doesn't speak constants.\n\
567         text += i.data;\n\
568       else if (i.firstChild != null)\n\
569         text += getText(i);\n\
570     }\n\
571     return text;\n\
572   }\n\
573 \n\
574   function TocEntry(el, text, toclevel) {\n\
575     this.element = el;\n\
576     this.text = text;\n\
577     this.toclevel = toclevel;\n\
578   }\n\
579 \n\
580   function tocEntries(el, toclevels) {\n\
581     var result = new Array;\n\
582     var re = new RegExp('[hH]([1-'+(toclevels+1)+'])');\n\
583     // Function that scans the DOM tree for header elements (the DOM2\n\
584     // nodeIterator API would be a better technique but not supported by all\n\
585     // browsers).\n\
586     var iterate = function (el) {\n\
587       for (var i = el.firstChild; i != null; i = i.nextSibling) {\n\
588         if (i.nodeType == 1 /* Node.ELEMENT_NODE */) {\n\
589           var mo = re.exec(i.tagName);\n\
590           if (mo && (i.getAttribute(\"class\") || i.getAttribute(\"className\")) != \"float\") {\n\
591             result[result.length] = new TocEntry(i, getText(i), mo[1]-1);\n\
592           }\n\
593           iterate(i);\n\
594         }\n\
595       }\n\
596     }\n\
597     iterate(el);\n\
598     return result;\n\
599   }\n\
600 \n\
601   var toc = document.getElementById(\"toc\");\n\
602   if (!toc) {\n\
603     return;\n\
604   }\n\
605 \n\
606   // Delete existing TOC entries in case we're reloading the TOC.\n\
607   var tocEntriesToRemove = [];\n\
608   var i;\n\
609   for (i = 0; i < toc.childNodes.length; i++) {\n\
610     var entry = toc.childNodes[i];\n\
611     if (entry.nodeName.toLowerCase() == 'div'\n\
612      && entry.getAttribute(\"class\")\n\
613      && entry.getAttribute(\"class\").match(/^toclevel/))\n\
614       tocEntriesToRemove.push(entry);\n\
615   }\n\
616   for (i = 0; i < tocEntriesToRemove.length; i++) {\n\
617     toc.removeChild(tocEntriesToRemove[i]);\n\
618   }\n\
619 \n\
620   // Rebuild TOC entries.\n\
621   var entries = tocEntries(document.getElementById(\"content\"), toclevels);\n\
622   for (var i = 0; i < entries.length; ++i) {\n\
623     var entry = entries[i];\n\
624     if (entry.element.id == \"\")\n\
625       entry.element.id = \"_toc_\" + i;\n\
626     var a = document.createElement(\"a\");\n\
627     a.href = \"#\" + entry.element.id;\n\
628     a.appendChild(document.createTextNode(entry.text));\n\
629     var div = document.createElement(\"div\");\n\
630     div.appendChild(a);\n\
631     div.className = \"toclevel\" + entry.toclevel;\n\
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733 </head>\n\
734 <body class=\"article\">\n\
735 <div id=\"header\">\n\
736 <h1>Beginners' Guide to Fldigi</h1>\n\
737 <div id=\"toc\">\n\
738   <div id=\"toctitle\">Table of Contents</div>\n\
739   <noscript><p><b>JavaScript must be enabled in your browser to display the table of contents.</b></p></noscript>\n\
740 </div>\n\
741 </div>\n\
742 <div id=\"content\">\n\
743 <div id=\"preamble\">\n\
744 <div class=\"sectionbody\">\n\
745 <div class=\"sidebarblock\">\n\
746 <div class=\"content\">\n\
747 <div class=\"paragraph\"><p>Of necessity, this Beginners' Guide contains only as much as you need to know to\n\
748 get started. You should learn how to make best use of the program by reading the\n\
749 <a href=\"http://www.w1hkj.com/FldigiHelp/index.html\">Online Documentation</a>. You can also access it from within the Fldigi program from the <em>Help</em>\n\
750 menu item.</p></div>\n\
751 <div class=\"paragraph\"><p>You can install the entire html help system by downloading from Source Forge:</p></div>\n\
752 <div class=\"paragraph\"><p><a href=\"https://sourceforge.net/projects/fldigi/files/fldigi-help.zip/download/\">https://sourceforge.net/projects/fldigi/files/fldigi-help.zip/download/</a></p></div>\n\
753 <div class=\"paragraph\"><p>Unzip the downloaded file into the same folder as this document.  The menu\n\
754 item \"Help / Online documentation&#8230;\" will then open the local copy of the fldigi help system.</p></div>\n\
755 </div></div>\n\
756 </div>\n\
757 </div>\n\
758 <div class=\"sect1\">\n\
759 <h2 id=\"ref-beginners-q-a\">1. Beginners' Questions Answered</h2>\n\
760 <div class=\"sectionbody\">\n\
761 <div class=\"sect2\">\n\
762 <h3 id=\"_what_is_fldigi\">1.1. What is Fldigi?</h3>\n\
763 <div class=\"paragraph\"><p><a href=\"http://www.w1hkj.com/Fldigi.html\">Fldigi</a> is a computer program intended for Amateur Radio Digital Modes\n\
764 operation using a PC (Personal Computer). Fldigi operates (as does most similar\n\
765 software) in conjunction with a conventional HF SSB radio transceiver, and uses\n\
766 the PC sound card as the main means of input from the radio, and output to the\n\
767 radio. These are audio-frequency signals. The software also controls the radio\n\
768 by means of another connection, typically a serial port.</p></div>\n\
769 <div class=\"paragraph\"><p>Fldigi is multi-mode, which means that it is able to operate many popular\n\
770 digital modes without switching programs, so you only have one program to\n\
771 learn. Fldigi includes all the popular modes, such as DominoEX, MFSK16, PSK31,\n\
772 and RTTY.</p></div>\n\
773 <div class=\"paragraph\"><p>Unusually, Fldigi is available for multiple computer operating systems;\n\
774 FreeBSD&#8482;; Linux&#8482;, OS X&#8482; and Windows&#8482;.</p></div>\n\
775 </div>\n\
776 <div class=\"sect2\">\n\
777 <h3 id=\"_what_is_a_digital_mode\">1.2. What is a Digital Mode?</h3>\n\
778 <div class=\"paragraph\"><p>Digital Modes are a means of operating Amateur radio from the computer\n\
779 keyboard. The computer acts as <em>modem</em> (modulator - demodulator), as well as\n\
780 allowing you to type, and see what the other person types. It also controls the\n\
781 transmitter, changes modes as required, and provides various convenient features\n\
782 such as easy tuning of signals and prearranged messages.</p></div>\n\
783 <div class=\"paragraph\"><p>In this context, we are talking about modes used on the HF (high frequency)\n\
784 bands, specifically <em>chat</em> modes, those used to have a regular conversation in a\n\
785 similar way to voice or Morse, where one operator <em>talks</em> for a minute or two,\n\
786 then another does the same. These chat modes allow multiple operators to take\n\
787 part in a <em>net</em>.</p></div>\n\
788 <div class=\"paragraph\"><p>Because of sophisticated digital signal processing which takes place inside the\n\
789 computer, digital modes can offer performance that cannot be achieved using\n\
790 voice (and in some cases even Morse), through reduced bandwidth, improved\n\
791 signal-to-noise performance and reduced transmitter power requirement. Some\n\
792 modes also offer built-in automatic error correction.</p></div>\n\
793 <div class=\"paragraph\"><p>Digital Mode operating procedure is not unlike Morse operation, and many of the\n\
794 same abbreviations are used. Software such as Fldigi makes this very simple as\n\
795 most of the procedural business is set up for you using the Function Keys at the\n\
796 top of the keyboard. These are easy to learn.</p></div>\n\
797 </div>\n\
798 <div class=\"sect2\">\n\
799 <h3 id=\"_why_all_the_different_modes\">1.3. Why all the different modes?</h3>\n\
800 <div class=\"paragraph\"><p>HF propagation is very dependent on the ionosphere, which reflects the signals\n\
801 back to earth. There are strong interactions between different signals arriving\n\
802 from different paths. Experience has shown that particular modulation systems,\n\
803 speeds and bandwidths suit different operating conditions.</p></div>\n\
804 <div class=\"paragraph\"><p>Other factors such as available band space, operating speed and convenience,\n\
805 noise level, signal level and available power also affect the choice of\n\
806 mode. While in many cases several different modes might be suitable, having a\n\
807 choice adds to the operating pleasure. It is difficult to advise which mode is\n\
808 best for each particular occasion, and experience plays an important role.\n\
809 <span class=\"footnote\"><br />[To gain a good insight into each mode and its capabilities, you might\n\
810 consider purchasing <em>Digital Modes for All Occasions</em> (ISBN 1-872309-82-8) by\n\
811 Murray Greenman ZL1BPU, published by the RSGB and also available from\n\
812 FUNKAMATEUR and CQ Communications; or the ARRL&#8217;s <em>HF Digital Handbook</em> (ISBN\n\
813 0-87259-103-4) by Steve Ford, WB8IMY.]<br /></span></p></div>\n\
814 </div>\n\
815 <div class=\"sect2\">\n\
816 <h3 id=\"_how_do_i_recognise_and_tune_in_the_signals\">1.4. How do I recognise and tune in the signals?</h3>\n\
817 <div class=\"paragraph\"><p>Recognising the different modes comes with experience. It is a matter of\n\
818 listening to the signal, and observing the appearance of the signal on the\n\
819 tuning display. You can also practise transmitting with the transceiver\n\
820 disconnected, listening to the sound of the signals coming from the\n\
821 computer. There is also (see later paragraph) an automatic tuning option which\n\
822 can recognise and tune in most modes for you.</p></div>\n\
823 <div class=\"paragraph\"><p>The software provides a tuning display which shows the radio signals that are\n\
824 receivable within the transceiver passband. Using a <em>point and click</em> technique\n\
825 with the mouse, you can click on the centre of a signal to select it, and the\n\
826 software will tune it in for you. Some modes require more care than others, and\n\
827 of course you need to have the software set for the correct mode first — not\n\
828 always so easy!</p></div>\n\
829 <div class=\"paragraph\"><p>The <a href=\"#ref-rsid\">RSID</a> (automatic mode detection and tuning) feature uses a\n\
830 special sequence of tones transmitted at the beginning of each transmission to\n\
831 identify and tune in the signals received. For this feature to work, not only do\n\
832 you need to enable the feature in the receiver, but in addition the stations you\n\
833 are wishing to tune in need to have this feature enabled on transmission. Other\n\
834 programs also offer this RSID feature as an option.</p></div>\n\
835 </div>\n\
836 </div>\n\
837 </div>\n\
838 <div class=\"sect1\">\n\
839 <h2 id=\"ref-setting-up\">2. Setting Up</h2>\n\
840 <div class=\"sectionbody\">\n\
841 <div class=\"sect2\">\n\
842 <h3 id=\"_fldigi_settings\">2.1. Fldigi settings</h3>\n\
843 <div class=\"ulist\"><div class=\"title\">Essentials</div><ul>\n\
844 <li>\n\
845 <p>\n\
846 Use the menu <code>Configure&#8594;Operator</code> item to set the operator name, callsign,\n\
847   locator and so on.\n\
848 </p>\n\
849 </li>\n\
850 <li>\n\
851 <p>\n\
852 If you have more than one sound card, use the menu <code>Configure&#8594;Sound Card</code>,\n\
853   <code>Audio Devices</code> tab, to select the sound card you wish to use. You can ignore\n\
854   the other tabs for now.\n\
855 </p>\n\
856 </li>\n\
857 </ul></div>\n\
858 <div class=\"ulist\"><div class=\"title\">Rig Control</div><ul>\n\
859 <li>\n\
860 <p>\n\
861 Use the menu <code>Configure&#8594;Rig Control</code> item to set how you will control the\n\
862   rig. If you will key the rig via a serial port, in the <code>Hardware PTT</code> tab\n\
863   select <em>Use serial port PTT</em>, the device name you will use, and which line\n\
864   controls PTT. If in doubt, check both <em>RTS</em> and <em>DTR</em>. You <strong>must</strong> then press\n\
865   the <code>Initialize</code> button.\n\
866 </p>\n\
867 </li>\n\
868 <li>\n\
869 <p>\n\
870 If you plan to use CAT control of the rig via the COM port, check <em>Use Hamlib</em>\n\
871   in the <code>Hamlib</code> tab. Select your rig model from the drop-down menu and set the\n\
872   serial port device name, baud rate, and RTS/CTS options as needed. If in\n\
873   addition you wish to use PTT control via CAT, also check <em>PTT via Hamlib\n\
874   command</em>. You <strong>must</strong> then press the <code>Initialize</code> button.\n\
875 </p>\n\
876 </li>\n\
877 </ul></div>\n\
878 <div class=\"admonitionblock\">\n\
879 <table><tr>\n\
880 <td class=\"icon\">\n\
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897 IiHNeOu1q/jSZ+9m5twMj+zcz4GJ43R1ZQTvUfUYiqljds5QB5koooq7uMS2L1/SDOOV9L/LAuCc\n\
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925 YII=\" />\n\
926 </td>\n\
927 <td class=\"content\">\n\
928 <div class=\"paragraph\"><p>If your rig is CAT-capable but not yet supported by\n\
929 <a href=\"http://www.hamlib.org/\">Hamlib</a>, it may still be possible to control it via\n\
930 Fldigi&#8217;s <code>RigCAT</code> system.  Refer to the <a href=\"http://www.w1hkj.com/FldigiHelp/index.html\">Online Documentation</a> for details.</p></div>\n\
931 </td>\n\
932 </tr></table>\n\
933 </div>\n\
934 <div class=\"ulist\"><div class=\"title\">CPU Speed</div><ul>\n\
935 <li>\n\
936 <p>\n\
937 When you start Fldigi for the very first time, it makes a series of\n\
938   measurements to determine your computer&#8217;s processing speed.  Although these\n\
939   measurements are usually accurate, if you have a very slow processor (under\n\
940   700MHz), you should verify that <em>Slow CPU</em> under <code>Configure&#8594;Misc&#8594;CPU</code> has\n\
941   been enabled. The receiver decoding strategy of certain modems uses fewer\n\
942   processor cycles in this mode.\n\
943 </p>\n\
944 </li>\n\
945 </ul></div>\n\
946 <div class=\"ulist\"><div class=\"title\">Modems</div><ul>\n\
947 <li>\n\
948 <p>\n\
949 Each of the modems can be individually set up from the <code>Configure&#8594;Modems</code>\n\
950   multi-tabbed dialog. You need not change anything here to start with, although\n\
951   it might be a good idea to set the <em>secondary text</em> for DominoEX and THOR to\n\
952   something useful, such as your call and locator. <span class=\"footnote\"><br />[Secondary text is\n\
953   transmitted when the text you type does not keep up with the typing speed of\n\
954   the mode — this handy text appears in a small window at the very bottom of the\n\
955   screen.]<br /></span> Note that this set of tabs is also where you set the RTTY modem speed\n\
956   and shift, although the default values should be fine for normal operation.\n\
957 </p>\n\
958 </li>\n\
959 </ul></div>\n\
960 <div class=\"ulist\"><div class=\"title\">Other settings</div><ul>\n\
961 <li>\n\
962 <p>\n\
963 Use the menu <code>Configure&#8594;UI</code>, <code>Restart</code> tab, to set the aspect ratio of the\n\
964   waterfall display and whether or not you want to dock a second digiscope to\n\
965   the main window.\n\
966 </p>\n\
967 </li>\n\
968 <li>\n\
969 <p>\n\
970 Use the menu <code>Configure&#8594;IDs</code> item to set whether you wish to transmit RSID\n\
971   data at the start of each over (this is for the benefit of others and does not\n\
972   affect RSID reception). If you plan to regularly use the RSID feature on\n\
973   receive, you should deselect the option that starts new modems at the &#8220;sweet\n\
974   spot&#8221; frequencies in <code>Misc&#8594;Sweet Spot</code>.\n\
975 </p>\n\
976 </li>\n\
977 </ul></div>\n\
978 <div class=\"paragraph\"><p>Finally, use the menu item <code>Configure&#8594;Save Config</code> to save the new\n\
979 configuration.</p></div>\n\
980 </div>\n\
981 <div class=\"sect2\">\n\
982 <h3 id=\"_sound_card_mixer\">2.2. Sound Card Mixer</h3>\n\
983 <div class=\"ulist\"><ul>\n\
984 <li>\n\
985 <p>\n\
986 Use your sound card <em>Master Volume</em> applet to select the sound card, the Wave\n\
987   output and set the transmit audio level. You can check the level using the\n\
988   <a href=\"#ref-tune\">Tune</a> button, top right, beyond the Menu.\n\
989 </p>\n\
990 </li>\n\
991 <li>\n\
992 <p>\n\
993 On Windows, the <em>Volume</em> applet can usually be opened by clicking\n\
994   <code>Start&#8594;Run…</code> and entering <code>sndvol32</code>, or from the Control Panel.\n\
995 </p>\n\
996 </li>\n\
997 <li>\n\
998 <p>\n\
999 Use your sound card <em>Recording Control</em> applet to select the sound card, the\n\
1000   Line or Mic input and set the receiver audio level. Watch the waterfall\n\
1001   display for receiver noise when setting the level. If you see any dark blue\n\
1002   noise, you have the right input and about the right level. The actual setting\n\
1003   is not very important, provided you see blue noise. If the audio level is too\n\
1004   high, the little diamond shaped indicator (bottom right) will show red. The\n\
1005   waterfall may also show red bands. Performance will be degraded if the level\n\
1006   is too high.\n\
1007 </p>\n\
1008 </li>\n\
1009 <li>\n\
1010 <p>\n\
1011 On Windows, the <em>Record</em> applet can usually be opened by clicking\n\
1012   <code>Start&#8594;Run…</code> and entering <code>sndvol32</code>, or from the Control Panel. If opened\n\
1013   from the Control Panel, you&#8217;ll end up with the Master Volume applet, and need\n\
1014   to switch using <code>Options&#8594;Properties</code>, and selecting the <code>Recording</code> radio\n\
1015   button.\n\
1016 </p>\n\
1017 </li>\n\
1018 </ul></div>\n\
1019 </div>\n\
1020 </div>\n\
1021 </div>\n\
1022 <div class=\"sect1\">\n\
1023 <h2 id=\"ref-guided-tour\">3. Guided Tour</h2>\n\
1024 <div class=\"sectionbody\">\n\
1025 <div class=\"paragraph\"><p>The main window consists of three main panes.  Study it carefully as you read\n\
1026 these notes. From top to bottom, these are the Receive pane (navajo white), the\n\
1027 Transmit pane (light cyan), and the Waterfall pane (black). At the top is the\n\
1028 collection of entry items which form the Log Data, and at the very top, a\n\
1029 conventional drop-down Menu system, with entries for File, Op Mode, Configure,\n\
1030 View and Help.</p></div>\n\
1031 <div class=\"paragraph\"><p>Between the Transmit and the Waterfall panes is a line of boxes (buttons) which\n\
1032 represent the Function Keys F1 - F12. This is the Macro group. Below the\n\
1033 Waterfall pane is another line of boxes (buttons), which provide various control\n\
1034 features. This is the Controls group. The program and various buttons can mostly\n\
1035 be operated using the mouse or the keyboard, and users generally find it\n\
1036 convenient to use the mouse while tuning around, and the keyboard and function\n\
1037 keys during a QSO.</p></div>\n\
1038 <div class=\"sect2\">\n\
1039 <h3 id=\"ref-receive-pane\">3.1. Receive Pane</h3>\n\
1040 <div class=\"paragraph\"><p>This is where the text from decoded incoming signals is displayed, in black\n\
1041 text. When you transmit, the transmitted text is also displayed here, but in red,\n\
1042 so the Receive pane becomes a complete record of the QSO. The information in\n\
1043 this pane can also be logged to a file.</p></div>\n\
1044 <div class=\"paragraph\"><p>The line at the bottom of this pane can be dragged up and down with the\n\
1045 mouse. You might prefer to drag it down a bit to enlarge the Receive pane and\n\
1046 reduce the size of the Transmit pane.</p></div>\n\
1047 </div>\n\
1048 <div class=\"sect2\">\n\
1049 <h3 id=\"_transmit_pane\">3.2. Transmit Pane</h3>\n\
1050 <div class=\"paragraph\"><p>This is where you type what you want to transmit. The mouse must click in here\n\
1051 before you type (to obtain <em>focus</em>) otherwise your text will go nowhere. You can\n\
1052 type in here while you are receiving, and when you start transmitting, the text\n\
1053 already typed will be sent first. This trick is a cool way to impress others\n\
1054 with your typing speed! As the text is transmitted, the text colour changes from\n\
1055 black to red. At the end of the over, all the transmitted text (and any as yet\n\
1056 not transmitted) will be deleted.</p></div>\n\
1057 </div>\n\
1058 <div class=\"sect2\">\n\
1059 <h3 id=\"_waterfall_pane\">3.3. Waterfall Pane</h3>\n\
1060 <div class=\"paragraph\"><p>This is the main tuning facility. There are three modes, Waterfall, FFT and\n\
1061 Signal, selected by a button in the Control group. For now, leave it in\n\
1062 Waterfall mode, as this is the easiest to tune with, and gives the best\n\
1063 identification of the signal.</p></div>\n\
1064 <div class=\"hdlist\"><table>\n\
1065 <tr>\n\
1066 <td class=\"hdlist1\">\n\
1067 <strong><code>WF</code></strong> (Waterfall)\n\
1068 <br />\n\
1069 </td>\n\
1070 <td class=\"hdlist2\">\n\
1071 <p style=\"margin-top: 0;\">\n\
1072   A spectrogram display of signal strength versus frequency over passing\n\
1073   time. The receiver passband is analysed and displayed with lower frequencies\n\
1074   to the left, higher to the right. Weak signals and background noise are dark\n\
1075   while stronger signals show as brighter colours. As time passes (over a few\n\
1076   seconds), the historic signals move downwards like a waterfall.\n\
1077 </p>\n\
1078 </td>\n\
1079 </tr>\n\
1080 <tr>\n\
1081 <td class=\"hdlist1\">\n\
1082 <strong><code>FFT</code></strong> (Fast Fourier Transform)\n\
1083 <br />\n\
1084 </td>\n\
1085 <td class=\"hdlist2\">\n\
1086 <p style=\"margin-top: 0;\">\n\
1087   A spectrum display of the mean signal strength versus frequency. Again\n\
1088   frequency is displayed from left to right, but now the vertical direction\n\
1089   shows signal strength and there is no brightness or historic information.\n\
1090 </p>\n\
1091 </td>\n\
1092 </tr>\n\
1093 <tr>\n\
1094 <td class=\"hdlist1\">\n\
1095 <strong><code>SIG</code></strong> (Signal)\n\
1096 <br />\n\
1097 </td>\n\
1098 <td class=\"hdlist2\">\n\
1099 <p style=\"margin-top: 0;\">\n\
1100   An oscilloscope type of display showing the raw audio being captured by the\n\
1101   sound card.\n\
1102 </p>\n\
1103 </td>\n\
1104 </tr>\n\
1105 </table></div>\n\
1106 <div class=\"paragraph\"><p>At the top of the pane is a scale of frequency in Hz, which corresponds to the\n\
1107 frequency displayed immediately below it. This scale can be moved around and\n\
1108 zoomed using buttons in the Control group.</p></div>\n\
1109 <div class=\"paragraph\"><p>As you move the mouse around in this pane you will see a yellow group of tuning\n\
1110 marks following the mouse pointer. Tuning is achieved by left-clicking on a\n\
1111 signal displayed by the waterfall in this pane. Use these yellow marks to\n\
1112 exactly straddle the signal and then left-click on the centre of the signal. The\n\
1113 tuning marks change to red. The red vertical lines will show the approximate\n\
1114 width of the active signal area (the expected signal bandwidth), while a red\n\
1115 horizontal bar above will indicate the receiver software&#8217;s active decoding\n\
1116 range. When you left-click, the red marks move to where you clicked, and will\n\
1117 attempt to auto-track the signal from there.</p></div>\n\
1118 <div class=\"admonitionblock\">\n\
1119 <table><tr>\n\
1120 <td class=\"icon\">\n\
1121 <img alt=\"Tip\" src=\"data:image/png;base64,\n\
1122 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJk0lEQVRo3u1aWWxU5xX+Zl/sGS8z\n\
1123 4wVMbWzjEpxiF0pDgIaAoAQ1CgW3oqkqQA0vhJCgpCD6Rh7oQynKA5WoKqUyCSGKWNqmqgppTAJK\n\
1124 EcalTkwNcYw3wPs6M559xtP//J5/dGd8Z+ba0KBIXOlovN3/nu+s3znXqmg0im/ypcY3/HoM4DGA\n\
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1126 ZaNC4XA4jAsXLuDy5ctobm5GZ2cnRkdHEQgEYDAYYLPZUFZWhqVLl2LNmjXYuHEjdDpdXBigaAzQ\n\
1127 rIGoZtsHhMVJ6a6uLpw4cQKnT59GXsliVCxZhsLi+ci2WmDUG5hiau6BQDCIyclJDA30ov3mDYz0\n\
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1129 rx/+YAihcIQQc6UMeh1MRj2sWWZmdTXu3rmFjz74A/bs2YNDhw4hKysLJpNJeESxNxQDIOXJ6tev\n\
1130 X8e+ffugc1RixdPPwmwyom9oDIOjTq60NN4TRJLAJAQmz2rGnZZGjPe04MiRI1i5ciUHQh6JeUP1\n\
1131 UMqoUP78+fPYsGEDFq7YjGfWPwePP4gbtzrR0zfMwiQENVNMnQoAhcZ0eHAJBMMMtBuO8hpUPPU8\n\
1132 tm/fjjNnzsDpdMLn8/EQpec+cBJLlf/Fjp34+StvoqDAgc57A9zqceVkrBwvmWk8EgxFoNLnYPOO\n\
1133 g3j9jQO8km3dupU/m0KKeSKazhNpQ4gSlpRvbGzklt/+8mHYHHZ82XEfzkmvvLKIwj02Bs+kC1Fm\n\
1134 QIPRiDx7AYxmszwgCeiIbwIfn34LJ0+e5NUqJycHRnY/hVOqxE4LgCVslErh6tWrUc7CpryiErfa\n\
1135 7yYon2zd0cF+RIIB7N1Vh7ofrWVxbkFrezf+dO4S7twbSu2dGBD3UA96Wxpw9uxZ2O12WK1WnhMs\n\
1136 sVWzygEROlRtKGFJ+Q4WNk5WaaSxrJYIK7DweTx4681X8fLOrSi057PyqMN3qxfh2K9/iYoFRTMA\n\
1137 xO+f7gPIss2HqbAKx44dg8vlypgP6nS1nuo8lcoVq9ZheNyFIRHzMknJu6xaA2t2Fn74zPdnnKln\n\
1138 5fHF53+QukrFRG8wwlG6GPX19Whvb4eHGSTI+gjpE5UJl1QAeIelJrW+bjeyzCbc6x/JWF14vc/O\n\
1139 hj8QlPVqZWnRDNBykm21YfmGn+LUqVO8AVIYC3qiGAA1K+qw366uQT+r86FQWFGZtOTk492/fCIL\n\
1140 4NoX7fFwSQdEx7yQ6yjh9IQAUBiRPooAiPC5ePEi8hcsZh02G0NjrpRxr5YBcr6hCa8deRuXrt3k\n\
1141 CU/y9rkGnsgJZ8TiXs4oBlMW7N96gvMrAUAujLSpwodurKheDjdL2hkdNqneh8Mh+Fms0kMiLOEi\n\
1142 UxH0dnfh0qf/ojIHNSuDJWULRTnM2K3BAZhhL6lEU1MTNm3aNH0204tohrSiygIgpMQqFz39Qsp6\n\
1143 Lx5I10h/H4od+YxlrkTlwhLMK7ShwJYHq8XMqYaOKe7yePHab+o5T8qUA3SuXm+EyWxBW9sX8Pv9\n\
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1146 mQfoD6l0kWVDkanpBE7Bc0hsjgK0dvTCYctF8+1uNLDk/eTKNVSVzcMrO3/MLDeFc/+8npGlIomS\n\
1147 0C9F8sopn5bMUfsWN6RLYCHv/PUy3v3wyjTTZDFLBtj/Uh3//m7/MIapkilI4DgvCk97nuYDUj65\n\
1148 UgpulBIAjYEUexpm/aic0mk84mZur11SieXfqeJn9Q+PK459cW4kFISWRQBxIQq5BAInKUOyAOgG\n\
1149 mmGpiRj02mnKm4oeJwFhTQReVlJ/9sK6+Hk9VAgkYQgFQIIBLzdccXFxPG/kCOmMJBYH0AA+yGZY\n\
1150 EwullARMhhNR08k2G7F+VW38zHG3J6Fbp22EYuDxe+H3TqKiooL3D8m8nJlKULMgPt7e8m8+66az\n\
1151 VDKbpPhf9b0nOXkTlz8QTjudJQMKhwII+jwY6L6Nmpqa+MBPeinyAClCq4/BrhY+gKsycJeE5GO1\n\
1152 etmTixLOpPlXyZgpxOscYwrr2PP/y+dksbVQ5AGxfKLsp9VHT/stmJkC6jQPTJzIgAXzHAlnFttz\n\
1153 0tZ86bmUvO6JEbgmhrF27Vo+kUm3FUoAqAgp3UB7m3+8dxy5FtOMcEkFRIyA0qukyJ6ZBMaAOMeH\n\
1154 oGHW/+xv72DLli0J6xa5nZFsDoj6S0sn2tt89flVvteZEfsybNKam4uOnv6E8+YX5Ml6LxnQpHMU\n\
1155 XtcEhnu7UFdXh9LSUmQzNiwAKKpC0jCi2KOl00jn5wh7RtOGgABC9OOz5q8QYo1IXEUshOI8KIX3\n\
1156 /F43JgZ7WZOKsOf9B7t27eI9gADEZuJZAeBhRIlDLqSl099P/g7qsDd9EseUc3pDOP7eRxgYmWA9\n\
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1158 eyIKm/HB+5y8XXj/OF7f/yrn/4WFhYq2EmkXWyKZyQq0bCJOcvDgQTz7kz2w2kug0xsUdVU5IGFW\n\
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1165 gAAjPsXPpABEh6evxaekSs3pTaXqYf2zx6N6T6x6/N8qj/j6H2ll/uhtrRpgAAAAAElFTkSuQmCC\" />\n\
1166 </td>\n\
1167 <td class=\"content\">\n\
1168 <div class=\"title\">Audio history and &#8220;casual tuning&#8221;</div>\n\
1169 <div class=\"paragraph\"><p>You can temporarily &#8220;monitor&#8221; a different signal by right-clicking on it. As\n\
1170 long as you hold the mouse button down, the signal under it will be decoded; as\n\
1171 soon as you release the mouse, decoding will revert to the previously tuned spot\n\
1172 (where the red marks are).  If you also hold the <code>Control</code> key down before\n\
1173 right-clicking, Fldigi will first decode all of its buffered audio at that\n\
1174 frequency.</p></div>\n\
1175 </td>\n\
1176 </tr></table>\n\
1177 </div>\n\
1178 </div>\n\
1179 <div class=\"sect2\">\n\
1180 <h3 id=\"_log_data\">3.4. Log Data</h3>\n\
1181 <div class=\"paragraph\"><p>Fldigi provides two QSO entry views, one for casual QSO logging and the second\n\
1182 for contesting.  The <code>View&#8594;Contest fields</code> menu item switches between the two\n\
1183 modes.</p></div>\n\
1184 <div class=\"paragraph\"><p>The <em>Frequency</em>, <em>Time Off</em>, and (when in contest mode) <em>#Out</em> fields are filled\n\
1185 by the program.  All the others can be populated by manual keyboard entry or by\n\
1186 selection from the <a href=\"#ref-receive-pane\">Receive pane</a>. The <em>Time Off</em> field is\n\
1187 continuously updated with the current GMT time.  The <em>Time On</em> field will be\n\
1188 filled in when the <em>Call</em> is updated, but can be modified later by the operator.</p></div>\n\
1189 <div class=\"paragraph\"><p>A right click on the Receive pane brings up a context sensitive menu that will\n\
1190 reflect which of the two QSO capture views you have open.  If you highlight text\n\
1191 in the Receive pane then the menu selection will operate on that text.  If you\n\
1192 simply point to a word of text and right click then the menu selection will\n\
1193 operate on the single word.</p></div>\n\
1194 <div class=\"admonitionblock\">\n\
1195 <table><tr>\n\
1196 <td class=\"icon\">\n\
1197 <img alt=\"Tip\" src=\"data:image/png;base64,\n\
1198 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJk0lEQVRo3u1aWWxU5xX+Zl/sGS8z\n\
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1206 X8e+ffugc1RixdPPwmwyom9oDIOjTq60NN4TRJLAJAQmz2rGnZZGjPe04MiRI1i5ciUHQh6JeUP1\n\
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1208 tm/fjjNnzsDpdMLn8/EQpec+cBJLlf/Fjp34+StvoqDAgc57A9zqceVkrBwvmWk8EgxFoNLnYPOO\n\
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1210 QIPRiDx7AYxmszwgCeiIbwIfn34LJ0+e5NUqJycHRnY/hVOqxE4LgCVslErh6tWrUc7CpryiErfa\n\
1211 7yYon2zd0cF+RIIB7N1Vh7ofrWVxbkFrezf+dO4S7twbSu2dGBD3UA96Wxpw9uxZ2O12WK1WnhMs\n\
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1215 hj8QlPVqZWnRDNBykm21YfmGn+LUqVO8AVIYC3qiGAA1K+qw366uQT+r86FQWFGZtOTk492/fCIL\n\
1216 4NoX7fFwSQdEx7yQ6yjh9IQAUBiRPooAiPC5ePEi8hcsZh02G0NjrpRxr5YBcr6hCa8deRuXrt3k\n\
1217 CU/y9rkGnsgJZ8TiXs4oBlMW7N96gvMrAUAujLSpwodurKheDjdL2hkdNqneh8Mh+Fms0kMiLOEi\n\
1218 UxH0dnfh0qf/ojIHNSuDJWULRTnM2K3BAZhhL6lEU1MTNm3aNH0204tohrSiygIgpMQqFz39Qsp6\n\
1219 Lx5I10h/H4od+YxlrkTlwhLMK7ShwJYHq8XMqYaOKe7yePHab+o5T8qUA3SuXm+EyWxBW9sX8Pv9\n\
1220 0kTO3IkJKVHiZZusGOsbibsYKR6o0Wjxx98eQGlJUcqeQiROr9NmVj4mWsZOKRz7+vq48lRKSS8l\n\
1221 OcCF+LyRNRDiLJli38gImNefWHnuMn50vP7PuPllJ//+06ZWTDCmKo17dRoAalaSickSNyLlY71A\n\
1222 mQfoD6l0kWVDkanpBE7Bc0hsjgK0dvTCYctF8+1uNLDk/eTKNVSVzcMrO3/MLDeFc/+8npGlIomS\n\
1223 0C9F8sopn5bMUfsWN6RLYCHv/PUy3v3wyjTTZDFLBtj/Uh3//m7/MIapkilI4DgvCk97nuYDUj65\n\
1224 UgpulBIAjYEUexpm/aic0mk84mZur11SieXfqeJn9Q+PK459cW4kFISWRQBxIQq5BAInKUOyAOgG\n\
1225 mmGpiRj02mnKm4oeJwFhTQReVlJ/9sK6+Hk9VAgkYQgFQIIBLzdccXFxPG/kCOmMJBYH0AA+yGZY\n\
1226 EwullARMhhNR08k2G7F+VW38zHG3J6Fbp22EYuDxe+H3TqKiooL3D8m8nJlKULMgPt7e8m8+66az\n\
1227 VDKbpPhf9b0nOXkTlz8QTjudJQMKhwII+jwY6L6Nmpqa+MBPeinyAClCq4/BrhY+gKsycJeE5GO1\n\
1228 etmTixLOpPlXyZgpxOscYwrr2PP/y+dksbVQ5AGxfKLsp9VHT/stmJkC6jQPTJzIgAXzHAlnFttz\n\
1229 0tZ86bmUvO6JEbgmhrF27Vo+kUm3FUoAqAgp3UB7m3+8dxy5FtOMcEkFRIyA0qukyJ6ZBMaAOMeH\n\
1230 oGHW/+xv72DLli0J6xa5nZFsDoj6S0sn2tt89flVvteZEfsybNKam4uOnv6E8+YX5Ml6LxnQpHMU\n\
1231 XtcEhnu7UFdXh9LSUmQzNiwAKKpC0jCi2KOl00jn5wh7RtOGgABC9OOz5q8QYo1IXEUshOI8KIX3\n\
1232 /F43JgZ7WZOKsOf9B7t27eI9gADEZuJZAeBhRIlDLqSl099P/g7qsDd9EseUc3pDOP7eRxgYmWA9\n\
1233 JIyGxlaEiZKkiHtSfri3G2qm5KUzJ7B3716+kSCh50sSWDWnrQQN17R0euNXB7B5xwEYLLZZddV0\n\
1234 eyIKm/HB+5y8XXj/OF7f/yrn/4WFhYq2EmkXWyKZyQq0bCJOcvDgQTz7kz2w2kug0xsUdVU5IGFW\n\
1235 bVyjg/C4x/m5H3/we6b8fl6+icbkslyi54rknfNuVKxXqMMStb169SpftVjmP4GCsmo2gOfzTYIi\n\
1236 isDOCwcD8LjG4B4fYdVGi6H7XRjuvMHDpra2liufn5/Pwye2mcOcN3NyINxulmwTE3xvQ6uPp557\n\
1237 EXkFJTAYs2BkcywN5FpuNQ3jMmy6i4S5tYN+HwK+SdZhvUxxDQdw5cN6Xm0oYUnhvLw8bnmLxaJI\n\
1238 +TltpyknaFdDeUF7G1p90PbAUVqNwtIqPgZSchKpU03HDp8r+HsCBqCv6zYGOlp4k6I6T6WS4pwA\n\
1239 0Odst9Nzfj9A3iAgxFhJaAlAA3hbWxsfAync6O8ohkkxYpVEzIjbED0gC5vNZl4mSf7v7wfk3tDQ\n\
1240 vEAeITAk/tggQyIdAQW/IqtSSaRuLSgCydf2hibVOzKytBAxgAsA0oomaDEpm/SODF/bO7Jkb4gl\n\
1241 gAAjPsXPpABEh6evxaekSs3pTaXqYf2zx6N6T6x6/N8qj/j6H2ll/uhtrRpgAAAAAElFTkSuQmCC\" />\n\
1242 </td>\n\
1243 <td class=\"content\">\n\
1244 <div class=\"title\">Quick log entry</div>\n\
1245 <div class=\"paragraph\"><p>Certain fields (<em>Call</em>, <em>Name</em>, <em>RST In</em>, <em>QTH</em> and <em>Locator</em>) may also be\n\
1246 populated semi-automatically.  Point to a word in the Receive pane and either\n\
1247 double-left-click or hold a Shift key down and left-click.  The program will\n\
1248 then use some simple heuristics to decide which log field will receive the text.</p></div>\n\
1249 </td>\n\
1250 </tr></table>\n\
1251 </div>\n\
1252 <div class=\"paragraph\"><p>It is generally not possible to distinguish between Operator and QTH names.  For\n\
1253 this reason, Fldigi will use the first non-Call and non-Locator word to fill the\n\
1254 <em>Name</em> field, and subsequent clicks will send text to the <em>QTH</em> field.\n\
1255 Likewise, a text string may be both a valid callsign and a valid\n\
1256 <a href=\"http://en.wikipedia.org/wiki/Maidenhead_Locator_System\">IARU (Maidenhead) locator</a>.\n\
1257 For best results, you should attempt to fill the log fields in the order in\n\
1258 which they appear on the main window, and clear the log fields after logging the\n\
1259 QSO.  Of course, text can always be manually typed or pasted into any of the log\n\
1260 fields!</p></div>\n\
1261 <div class=\"paragraph\"><p>You can query online and local (e.g. CD) database systems for data regarding a\n\
1262 callsign.  You make the query by either clicking on the globe button, or\n\
1263 selecting <em>Look up call</em> from the popup menu.  The latter will also move the\n\
1264 call to the <em>Call</em> field.</p></div>\n\
1265 <div class=\"paragraph\"><p>When the <em>Call</em> field is filled in, the logbook will be searched for the most\n\
1266 recent QSO with that station and, if an entry is found, the <em>Name</em>, <em>QTH</em> and\n\
1267 other fields will be pre-filled.  If the logbook dialog is open, that last QSO\n\
1268 will also be selected for viewing in the logbook.</p></div>\n\
1269 <div class=\"paragraph\"><p>You open the logbook by selecting from the View menu; <code>View&#8594;Logbook</code>.  The\n\
1270 logbook title bar will show you which logbook you currently have open.  Fldigi\n\
1271 can maintain an unlimited (except for disk space) number of logbooks.</p></div>\n\
1272 </div>\n\
1273 <div class=\"sect2\">\n\
1274 <h3 id=\"_menu\">3.5. Menu</h3>\n\
1275 <div class=\"paragraph\"><p>At the very top of the program window is a conventional drop-down menu. If you\n\
1276 click on any of the items, a list of optional functions will appear. Keyboard\n\
1277 menu selection is also provided. Where underscored characters are shown in the\n\
1278 menu, you can select these menu items from the keyboard using the marked\n\
1279 character and <code>Alt</code> at the same time, then moving around with the\n\
1280 <code>up</code>/<code>down</code>/<code>left</code>/<code>right</code> keys. Press <code>Esc</code> to quit from the menu with no\n\
1281 change.</p></div>\n\
1282 <div class=\"sect3\">\n\
1283 <h4 id=\"_menu_functions\">3.5.1. Menu functions</h4>\n\
1284 <div class=\"paragraph\"><div class=\"title\">File</div><p>Allows you to open or save Macros (we won&#8217;t get into that here), turn on/off\n\
1285 logging to file, record/play audio samples, and exit the program. You can also\n\
1286 exit the program by clicking on the <code>X</code> in the top right corner of the window,\n\
1287 in the usual manner.</p></div>\n\
1288 <div class=\"paragraph\"><div class=\"title\">Op Mode</div><p>This is where you select the operating modem used for transmission and\n\
1289 reception. Some modes only have one option. Where more are offered, drag the\n\
1290 mouse down the list and sideways following the arrow to a secondary list, before\n\
1291 releasing it. When you start the program next time, it will remember the last\n\
1292 mode you used.</p></div>\n\
1293 <div class=\"paragraph\"><p>Not all the modes are widely used, so choose a mode which <em>(a)</em> maximises your\n\
1294 chance of a QSO, and <em>(b)</em> is appropriate for the band, conditions, bandwidth\n\
1295 requirements and permissions relevant to your operating licence.</p></div>\n\
1296 <div class=\"paragraph\"><p>At the bottom of the list are two &#8220;modes&#8221; which aren&#8217;t modes at all, and do not\n\
1297 transmit (see <a href=\"http://www.w1hkj.com/FldigiHelp/index.html\">Online Documentation</a> for details). <em>WWV</em> mode allows you to receive a\n\
1298 standard time signal so the beeps it transmits can be used for sound card\n\
1299 calibration. <em>Freq Analysis</em> provides just a waterfall display with a very\n\
1300 narrow cursor, and a frequency meter which indicates the received frequency in\n\
1301 Hz to two decimal places. This is useful for on-air frequency measurement.</p></div>\n\
1302 <div class=\"paragraph\"><div class=\"title\">Configure</div><p>This is where you set up the program to suit your computer, yourself and your\n\
1303 operating preferences. The operating settings of the program are grouped into\n\
1304 several categories and there are menu items in which you enter your personal\n\
1305 information, or define your computer sound card, for example. Modems can be\n\
1306 individually changed, each having different adjustments. The Modems dialog has\n\
1307 multiple tabs, so you can edit any one of them. Don&#8217;t fool with the settings\n\
1308 until you know what you are doing!  The final item, <code>Save Config</code> allows you to\n\
1309 save the altered configuration for next time you start the program (otherwise\n\
1310 changes are temporary).</p></div>\n\
1311 <div class=\"paragraph\"><div class=\"title\">View</div><p>This menu item allows you to open extra windows. Most will be greyed out, but\n\
1312 two that are available are the Digiscope, and the PSK Browser. The Digiscope\n\
1313 provides a mode-specific graphical analysis of the received signal, and can have\n\
1314 more than one view (left click in the new window to change the view), or maybe\n\
1315 none at all. The PSK Browser is a rather cool tool that allows you to monitor\n\
1316 several PSK31 signals all at the same time! These windows can be resized to\n\
1317 suit.</p></div>\n\
1318 <div class=\"paragraph\"><div class=\"title\">Help</div><p>Brings up the Online Documentation, the Fldigi Home Page, and various\n\
1319 information about the program.</p></div>\n\
1320 </div>\n\
1321 <div class=\"sect3\">\n\
1322 <h4 id=\"_other_controls\">3.5.2. Other controls</h4>\n\
1323 <div class=\"paragraph\" id=\"ref-rsid\"><div class=\"title\">RSID</div><p>The RxID button turns on the receive RSID (automatic mode detection and tuning)\n\
1324 feature. When in use, the button turns yellow and no text reception is possible\n\
1325 until a signal is identified, or the feature is turned off again. If you plan to\n\
1326 use the RSID feature on receive, you must leave the <em>Start New Modem at Sweet\n\
1327 Spot</em> item in the menu <code>Configure&#8594;Defaults&#8594;Misc</code> tab unchecked.</p></div>\n\
1328 <div class=\"paragraph\" id=\"ref-tune\"><div class=\"title\">TUNE</div><p>This button transmits a continuous tone at the current audio frequency. The tone\n\
1329 level will be at the maximum signal level for any modem, which makes this\n\
1330 function useful for adjusting your transceiver&#8217;s output power.</p></div>\n\
1331 </div>\n\
1332 </div>\n\
1333 <div class=\"sect2\">\n\
1334 <h3 id=\"_macro_buttons\">3.6. Macro buttons</h3>\n\
1335 <div class=\"paragraph\"><p>This line of buttons provides user-editable QSO features. For example, the first\n\
1336 button on the left sends CQ for you. Both the function of these buttons (we call\n\
1337 them Macros) and the label on each button, can be changed.</p></div>\n\
1338 <div class=\"paragraph\"><p>Select each button to use it by pressing the corresponding Function Key (F1 -\n\
1339 F12, you&#8217;ll notice the buttons are grouped in patterns four to a group, just as\n\
1340 the Function Keys are). You can also select them with a left-click of the\n\
1341 mouse. If you right-click on the button, you are able to edit the button&#8217;s label\n\
1342 and its function. A handy dialog pops up to allow this to be done. There are\n\
1343 many standard shortcuts, such as <code>&lt;MYCALL&gt;</code>, which you can use within the\n\
1344 Macros. Notice that the buttons also turn the transmitter on and off as\n\
1345 necessary.</p></div>\n\
1346 <div class=\"paragraph\"><p>You can just about hold a complete QSO using these buttons from left to right\n\
1347 (but please don&#8217;t!). Notice that at the right are two spare buttons you can set\n\
1348 as you wish, and then a button labelled <code>1</code>. Yes, this is the first set of\n\
1349 <em>four</em> sets of Macros, and you can access the others using this button, which\n\
1350 changes to read <code>2</code>, <code>3</code>, <code>4</code> then <code>1</code> again (right-click to go backwards), or\n\
1351 by pressing <code>Alt</code> and the corresponding number (1-4, not F1-F4) at the same\n\
1352 time.</p></div>\n\
1353 <div class=\"admonitionblock\">\n\
1354 <table><tr>\n\
1355 <td class=\"icon\">\n\
1356 <img alt=\"Note\" src=\"data:image/png;base64,\n\
1357 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJXElEQVRo3u2ZW4xcZ5HHf1Xf951z\n\
1358 uudqD2PPxRPs2AnGTlg7K0jihDiBJIzA4g5P8IDywOUBgUBaZK3EC/JK2dU+IMFmxQMrJavdDCgo\n\
1359 SOQCwUYBh4ADCIOdYM84YYjHl/Gt7UnPTE+fr/bhnG57nAXHyQSC5E8qzZxudc/3r/pX1b9qxMz4\n\
1360 ez7K3/m5AuAKgL8lgLGxMRsdHbW+vj7r6+uz0dFRGxsb+6tWBXm1VWj79u02/sB9bN92J5XpY+Rn\n\
1361 TnFqdoavT9ZY94nPsGPHDnnDRmBsbMzGH7iPHe96B+nk88wfeI54ZIrlMzN8bVXK+AP38eCDD9ob\n\
1362 NgKjo6N27+oOKrVTzP9+LxocziviFeeF02kn/+zW8OijjxZ/RETeUBHYs2cPPVlG8w/7CNVAqARC\n\
1363 FkiyQMgSBkdWsWfPHmKMAFh5Xg8A/rLCJWIiQqVSIT82SagG1CvqFBcU9UUkdHiYubmn8f5lX28i\n\
1364 gojgnFv0RpIkpGna/kyz2aTRaHDu3DlZSgCcOfZbPvCRezg5fZwVWSguHAoQ6h2udxk1Ejo7K/zs\n\
1365 h99i2bJuujorZFmKqtJmk1wIIBZkEEVEy6jBqmvuxszsL1HwsgB472mc3ccH77qKf/3WTv5tQw++\n\
1366 mqAl9/3QavL+q/nPXXs5WzvLzPEn8fMZ2lUhZgHnpARwEXPFgSaIZoiEAgBGmqbEGF8WrVedA0V4\n\
1367 lffeeT2dt27ky/trTDcDumIQ9w9bOd0xzFfGnmBmfB/RIo2FnBghj5FWCkQTDIdpdt4kgKQgCWgC\n\
1368 LkM0bQNYMgqFEIg41Kd87lPv4pPPHOKepycZ3/U88AtuGuhlW7XJ2r7AU9lKZl5q0N2VEU3Jo+Lw\n\
1369 gBQet/MXE00QDYVJAqKYRNI0Jc9zQghLE4FKpYKqw/uENMv4wqfv4re1Ov+zoYtfvX053xhR1mbC\n\
1370 tl8fZ+uWtbw0mzM3ZzQXhIiC+NICoh1tgwASyggEEI8Q8N4vbQTSNEXF43yC88Z1bxlhx/YP8U/f\n\
1371 eYr9vz6MGTTzyB1b1tFZzZhvROYWjHMvLRDSBKfgvOLEYeSLIgCuBOfKhDacc1yq+l42hdR7RAPq\n\
1372 IiHNeOu1q/jSZ+9m5twMj+zcz4GJ43R1ZQTvUfUYiqljds5QB5koooq7uMS2L1/SDOOV9L/LAuCc\n\
1373 Q8QjmhC8kKQLVCoVurvmUTHu3rqet20Yptk0li3vIkkCgsNrwIeAmbCQQxSo+D/D6FaVski8IPmX\n\
1374 DADicK6gUPCBjmpGnldwKlQrGStXLKfZjIgolWrRnAyl2RScKkkaLuoBgOsBrWDSBTYHoiBckv+X\n\
1375 DSDGCCaAEHxCkgbyPMWsShocC80m0UBR1DmS4HGqpFmGiKLOE6MS1AN5cfFFp1FcHsHQpQdQr9dR\n\
1376 VVQE54TEJ1iaguWkwZPnOSCIFpcIwZMkgTRNgLJbO4cLKaYJSPUCkZGXzM8Q8jaFlj4CIqhz5FEI\n\
1377 icNiwElKjIE8RlQVp44YDVSLvFFH8J7TtTpTR09zw+bNWNFuOXjoMKfOzPCPmzaSuBQRxTDAXhGA\n\
1378 y+oDqopoUS1c8DhN+Pkz40RTfv/cESYm5+jsGaTaPcCv9p3gP/7rp+zd/yLOJxw+epbdeyZ5fNez\n\
1379 HPrjMUQTvv3fP+LFw6fo7e7m2w88gmhx9aLRXbqEXjaA7q4qoh71Kd4HVD0nT9d5+NHf8NK8o3a2\n\
1380 zk9/vo8jx04zfaLGlz//cQ5N1jkyLczMpSRplZtu3MTVa0YwYPrkGW6/7QbWv2UNQwN9mChC0QdM\n\
1381 3dJH4GXa2IwV/T08e/AYd91+A+/euomDE4f55TN/4J03X4+I8OH338zjT+zm+reuYsP6NW1hZnh6\n\
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1385 uPXWzYDwzps3cfxEjdtu2UyWJYgoK1f0sXzqFCLKRz94N4//+Gl+s/cQMc+57rprGRocBBUQg+iW\n\
1386 FsDU1BRvWtZTdtGAc44oxTTV1dWJxVnMiioi4kjSDlYN9RdTVtkXsqzCrTdtApQQYNvoLS01V5pg\n\
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1391 0m4+xb4nomrlpQoKiRTvtXS+mIIqqpWLhBaggpiVjim00GsaKVs7mb179/K+94yWnAeLBtEwYtuz\n\
1392 IkXC+lIzAWj52vlktKJEGkQWFlNBBMwRpQBgllOv11/7QGNmdv/99/PVr9xDY/YEZpGjR6fJmw1+\n\
1393 t+8A0ydO87v9E1iMdHV20NPTwdrVg1y3YR0iMDzUX0Shve2JCBGJzcUBUI/aAmbGi0eOsn/fBLVa\n\
1394 bUkAFFOV5Xz34SewPOexH+1maNVaurs66ehezpprljEwMMDs7Cxnz9WYnDYe++b3mTlznGo1o7O7\n\
1395 g5GhAa5dN8L1G69hYKAfs/ND/dSRUxydPsn4xCR/nDzC5ORRjk6f4t57721H81Vtp83MYowMDw/T\n\
1396 bDYREbZs2cLo6CgDAwN0dnYiIsXGrtFAVQkhkOc58/PzqCr1ep3du3fT0dHBwYMHeeihh1BVVq9+\n\
1397 8wWjqmdwcJD169ezbt06Nm7cSH9/P1mWMTIyQqVSkVe9Xm82m9ZsNpmdnWVubo5Go0GMsc3rVqK1\n\
1398 nluc997jnGv/bOWImTE3N7do8WtmNJvN9hDvnCNJEpIkoVKp4L1/7btRVW17uDXge+9pbZtb1gr5\n\
1399 hc8X7za994uoISLEGNvSoWVJkrw2Cl35L+UVAFcAXAFwBcClzv8B3eu58OmgDQoAAAAASUVORK5C\n\
1400 YII=\" />\n\
1401 </td>\n\
1402 <td class=\"content\">\n\
1403 <div class=\"paragraph\"><p>If you <em>really</em> mess up the Macros and can&#8217;t see how to fix them, just close the\n\
1404 program without saving them, and reopen it.</p></div>\n\
1405 </td>\n\
1406 </tr></table>\n\
1407 </div>\n\
1408 </div>\n\
1409 <div class=\"sect2\">\n\
1410 <h3 id=\"_controls\">3.7. Controls</h3>\n\
1411 <div class=\"paragraph\"><p>The line of buttons under the waterfall is used to control the program (as\n\
1412 opposed to the QSO). If you hover the mouse over these buttons, you&#8217;ll see a\n\
1413 little yellow hint box appear which tells you what each button does.</p></div>\n\
1414 <div class=\"paragraph\"><p>The first button switches between Waterfall, FFT and Scope modes. The next two\n\
1415 buttons adjust the signal level over which the waterfall works. The default\n\
1416 range is from 0dB downwards 70dB (i.e. to -70dB). Both of these values can be\n\
1417 adjusted to suit your sound card and receiver audio level.</p></div>\n\
1418 <div class=\"paragraph\"><p>The next button sets the scale zoom factor (visible display width, ×1, ×2 or\n\
1419 ×4), and the next three buttons move the visible waterfall area in relation to\n\
1420 the bandwidth cursor.</p></div>\n\
1421 <div class=\"paragraph\"><p>The next button selects the waterfall speed. NORM or SLOW setting is best unless\n\
1422 you have a very fast computer.</p></div>\n\
1423 <div class=\"paragraph\"><p>The next four buttons (two on either side of a number, the audio frequency in\n\
1424 Hz) control the receiving frequency (they move the red cursor lines).</p></div>\n\
1425 <div class=\"paragraph\"><p>The <code>QSY</code> button moves the signal under the bandwidth cursor to a preset audio\n\
1426 frequency (typically, the centre of the transceiver&#8217;s passband). The Store\n\
1427 button allows you to store or recall the current frequency and mode. See the\n\
1428 <a href=\"http://www.w1hkj.com/FldigiHelp/index.html\">Online Documentation</a> for details on these functions.</p></div>\n\
1429 <div class=\"paragraph\"><p>The <code>Lk</code> button locks the transmit frequency (and illuminates a green marker), and the\n\
1430 <code>Rv</code> button turns the signal decoding upside down (some modes are sideband\n\
1431 sensitive, and if they are the wrong way up, can&#8217;t be received\n\
1432 correctly). Remember to turn this one off when you&#8217;re done, or you won&#8217;t receive\n\
1433 anything! If every signal you hear is upside down, check your transceiver\n\
1434 sideband setting.</p></div>\n\
1435 <div class=\"paragraph\"><p>The <code>T/R</code> button forces the transmitter on or off.</p></div>\n\
1436 <div class=\"admonitionblock\">\n\
1437 <table><tr>\n\
1438 <td class=\"icon\">\n\
1439 <img alt=\"Caution\" src=\"data:image/png;base64,\n\
1440 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJm0lEQVR4AeyYe1BWxxnGFcF2bDCj\n\
1441 UVND2hjaYYYpDNEwRh0tphZJCAGMgoIYL5GIFxFN0KpNQlQuQQkXJEhoWnToGKmA48WR0JQLiCJ3\n\
1442 QYSIXBQRBi+gop49B5/uu/PljDuHkRA1MTP+8f7xwbe7v+fZ932/3R0E4BcdTwU8hngq4KmAtrY2\n\
1443 VFRU6EGffzEC6urqsGXLFjg6OuqxYMECHDhwAE+8gMzMTAwdOpTPOqjPCA0NxRMrID09HRYWFgT6\n\
1444 wAgLC8MTJyAtLQ2DBw+WQG1efh5ffBYI9xl2BhERERF4YgTs3bsX5ubmEqCHswPutGZBa/kaWmcR\n\
1445 Nrz/ukFEZGQkfnYBqampGDJkiAQ2a+YrUC5lQT0XC/W7aKh1O6A1pSD4vT8bRGzfvh0/m4Ddu3cb\n\
1446 4Oe8OQFK2zccnMPXR0Pj8OrZz6DWhkE9n4wPFk8xiIiKisJPLoBy3szMTALxdnMEI/hzcdDqTc6b\n\
1447 4LUzW6HWhEBtSMS6ha8ZRERHR+MnE5CcnGyA93GfKJzXvosTadPbmYnejn3QWlPQ274X6pktUKs/\n\
1448 4rGJ/z8eQX6vSuOpAcTExOCxC9i1axctZkwbEzw5rzUmQe0pROBKL2wM9kNCTBBWLXJCd3Ew1Kr1\n\
1449 YJUf8N35HIG+DgYRcXFxeGwCEhISYIR/FYzgz8VDFGw9z/mmRBQX/MOQJqkRb0Ot/BBqxVqo5avB\n\
1450 aiOwap6dQcTOnTvxyAXExsYa4Jd4TwW73/n6KF60POcb4lHwbYJBQFHqfC4gCKw8EKxsBVjpMrCa\n\
1451 bVjhbWsQQWY9MgHcEQOMv880qJezecHGcwExUPVuE87/FoWS47sgQw1CV9FKE/xKqKUBYCVLwU4t\n\
1452 Aav+BAGzbQwiEhMT8dACeJ82wAfMdxLwuvMEXxdJ8Dy2cSHbUFvxT2mM9YvPcvjVRvjid8FO+oFV\n\
1453 bcSyd/5gEEE196MF5OfnG+CX+00neJHzolXytNGdrzW1yuqP0XkxTRrn5vSyBK/q8PPBTviAFXmD\n\
1454 VQbD32OcQURpaSkGKoDO83QENsK3/xc6vHBehhet8vRm9HZlYKiFuT52/aIJAl4t8Tc5v1A4r8Mf\n\
1455 nw1W6AmlPAhL3X8nrRsSEgLiGZCA7OxsaZKpjn+ERvCiz8eYCtaUNme28hDOQ/T5qg3o7UyB9bjn\n\
1456 9fHJn0wH6w8+/20oea5QSldivI2ltD5dih5KQFlBhsl5XrAET2lzNhwad16r+dTkvIAXrVK7EAtX\n\
1457 lwn6+G+T3CDDz+PwXiZ4D7ACNy7gTSi5M3nMwN8Xjnu0AtYvc6ZuI/q8cP4sOc8LVsB/LNKGcXgm\n\
1458 +vw6sNpN+HSztz6+/oCXDq9w5xWT80qBJ4cXzoPlugh4Jed1rJlj9VACqAboKqhP8NvRw3HkK38B\n\
1459 r5HzHF7T4YXzPDh85TqoplZZ9s2H+vhrOfO5AD8u4Pu0eQdKoafJeVcugOD/CpYzHVlRdnhuuF4/\n\
1460 ohbLy8sx4C4UHh4uuTDOagROpa8SBStyvoZynpz/G4cP5vD0C7tGwDPRbfwxd6Y1bH4/nMMvkHKe\n\
1461 4BVynsMzDs+E89ORE2uPCTbPSOvu2LED9+7dEzEgAbQLo0ePliZ7YYwl/peyGFq1gOfuc/jKYOE8\n\
1462 q1gDtWwVjwD+eTW0phBorWHoLgkwFCzBM+H8TOE8pc3xLxwwxU4u3lGjRqGjo4Pg9RjQD1ltbS2s\n\
1463 rKzkSUcMw9EkH1PB6s4LeFa6nIc/1Lr1aDoTgY82uGK2hwMyIqfK8AXCeQneY+pIaR1LS0ucOHEC\n\
1464 qqpC0zT09vYaRPQrgL58/vx5jBwpT/6s5a+QGTtLFKxIm3LuPMGXvA/RbUqX4ut/LYEOM8wcPbnu\n\
1465 uvPsPudPJjngXZcx0vz0OECN5M6dO1AUhUSQgD5FPBCeggZduHABtrbyoWvYr83x74g3uADhvKnP\n\
1466 v8fzfZHI+Y5cPwx/RjyxYLHbS6acf0ty/tSX4xHk9YI0L92v6bbX1dWFmzdv4vbt20IEY6xPEf3C\n\
1467 U5ADra2tcHCQz/BDLcyQsnUGd587X8LhTxE89Xlf0SpPfjUDX24aj7YjLiJtlPvgm//zGoJ9rAxH\n\
1468 B7rs01qdnZ24fv26JKKvnehXAA26e/cuenp6xE5MnDgRsmODEbdhMlqOeJngfXjMhaLnvLtIGxl+\n\
1469 EkL9XzKctdauXYuamhpKWxIhCphE3Lhxg9KJdsFQDw+Epy+TcnKAtvTq1atobGzEtGnTDMflxI2T\n\
1470 0HJ4FljRXB5zuABPPW2UvDc4vDMYh2/hzscHWcPMTIb39fVFQUEBysrKQM2D1rl06RKuXLki1r51\n\
1471 6xYZSYb2K8DgPm0jOUGOkDP0/unk5GR8Jgl8Bc0H39KdV/KNabNnsw0szOXLkYuLCw4dOiQKt7Cw\n\
1472 UBfR3NyMy5cv49q1a33vwg8RQINoMAlob28XadTQ0IDq6mq4uroaRISv+BNaMp3vK1hnDv8XAZ+x\n\
1473 zZYXv/wgMHnyZOzfvx8HDx7E0aNHkZOTg6KiIlRVVdE6+i4QA2XCjxFAO6ALuHjxIk0sHKqsrISn\n\
1474 p6cxl+dZoyndibtP8JQ2k5D9ub0B3t7eHnv27MG+fftAb6uHDx/GsWPHkJeXh5KSEtTX19N6VNDS\n\
1475 DvyAItYF6DXQ3d1NToizeVNTE00udoHOKT4+PsZrp/uLaEybIlplZqgtxj4nv1pbW1sjKSkJ9DTJ\n\
1476 35kkAbm5uSSAUpUE6Dsg1cBAuxAVEe0CuUF1QEVGC5w+fZoW61OEnfVvsNxjLMaMkF+tx44dSxd3\n\
1477 4T4JyMjIEDWQlZUl4IuLi//fmx2cOAwDUQAtIYd0lIAb8dF39+AmfDSuye7ATWh5hh9Y7WYRSdjD\n\
1478 QEiQ/p+vP6NxHAsRDK4umFb6IC+aLjLHZrEkdARJ8GZOAhjQYRjy78XTuF6vZZom5E/lvVPgfbbh\n\
1479 fWI4WfuqN1gwf7NP0yhR24kSNoyddIpt2x52Gscx/9z9iMvlUky5y7IgHr9HcXvYq74HcpEp3vZR\n\
1480 IlHfyFSQhMLW3hR2TgO44l7XtfR9X7quK/f7vdxut3Oun+dZtzmtoud7YEd633ekKW4ve6b/xzrx\n\
1481 fvsw9yyRJEGVWAoYtRScRBDiZX2dyorTZCmQprb6UUfW6PXWuygpnjmo7vst4/RLlgIGNEWeC4+i\n\
1482 SCpGCkvOd36jcuYdHc4eBCFMplDkg936QPOSpYABBS4hLS+jR07nOA6ffRfC38iGsMgzQI39sQRE\n\
1483 PTMBTULaLkIhKPJZhGDWxh71pCk+nUCdRJ1MSCVCsCL3d/zbOzJg78Y7+OILlLDkWWsxzEAAAAAA\n\
1484 SUVORK5CYII=\" />\n\
1485 </td>\n\
1486 <td class=\"content\">\n\
1487 <div class=\"paragraph\"><p>Use the <code>T/R</code> button with care, as it will stop transmission immediately, losing\n\
1488 whatever is in the buffer (what you have typed in the Transmit pane), or start\n\
1489 it immediately, even if nothing is ready to transmit.</p></div>\n\
1490 </td>\n\
1491 </tr></table>\n\
1492 </div>\n\
1493 <div class=\"paragraph\"><p>There are two further controls in the bottom right corner of the program, to the\n\
1494 right of the Status line:</p></div>\n\
1495 <div class=\"dlist\"><dl>\n\
1496 <dt class=\"hdlist1\">\n\
1497 <code>AFC</code> (AFC) control\n\
1498 </dt>\n\
1499 <dd>\n\
1500 <p>\n\
1501   When this button is pressed, an indicator on the button turns yellow, and the\n\
1502   program will automatically retune to drifting signals. When the button is\n\
1503   again pressed, AFC is off, and the tuning will stay where you leave it.\n\
1504 </p>\n\
1505 </dd>\n\
1506 <dt class=\"hdlist1\">\n\
1507 <code>SQL</code> (Squelch) control\n\
1508 </dt>\n\
1509 <dd>\n\
1510 <p>\n\
1511   When off (no coloured indicator on the button), the receiver displays all\n\
1512   &#8220;text&#8221; received, even if there is no signal present, and the receiver is\n\
1513   simply attempting to decode noise. When activated by pressing the button, the\n\
1514   indicator turns yellow. If the incoming signal strength exceeds that set by\n\
1515   the adjacent slider control (above the <code>SQL</code> button), the indicator turns\n\
1516   green and the incoming signal is decoded and printed. The signal strength is\n\
1517   indicated on the green bar beside the Squelch level slider. If nothing seems\n\
1518   to be printing, the first thing to do is check the Squelch!\n\
1519 </p>\n\
1520 </dd>\n\
1521 </dl></div>\n\
1522 </div>\n\
1523 <div class=\"sect2\">\n\
1524 <h3 id=\"_status_line\">3.8. Status Line</h3>\n\
1525 <div class=\"paragraph\"><p>At the very bottom line of the Fldigi window is a row of useful information. At\n\
1526 the left is the current operating mode. Next (some modes) is the measured\n\
1527 signal-to-noise ratio at the receiver, and (in some modes) the measured signal\n\
1528 intermodulation level (IMD).</p></div>\n\
1529 <div class=\"paragraph\"><p>The larger central box shows (in DominoEX and THOR modes) the received\n\
1530 <em>Secondary Text</em>. This is information (such as station identification) which is\n\
1531 transmitted automatically whenever the transmitter has completed all user text\n\
1532 that is available to send. It is transmitted using special characters, and is\n\
1533 automatically directed to this special window. Secondary text you transmit is\n\
1534 also shown here. This box changes size when you enlarge the program window.</p></div>\n\
1535 </div>\n\
1536 </div>\n\
1537 </div>\n\
1538 <div class=\"sect1\">\n\
1539 <h2 id=\"ref-operating\">4. Operating</h2>\n\
1540 <div class=\"sectionbody\">\n\
1541 <div class=\"sect2\">\n\
1542 <h3 id=\"_procedure\">4.1. Procedure</h3>\n\
1543 <div class=\"paragraph\"><p>Operating procedure for digital modes is similar to that for Morse. Some of the\n\
1544 same abbreviations are used. For example, at the beginning of an over, you might\n\
1545 send <code>VK3XYZ de WB8ABC</code> or just <code>RR Jack</code> and so on. At the end of an over, it\n\
1546 is usual to send <code>ZL1ABC de AA3AR K</code>, and at the end of a QSO <code>73 F3XYZ de 3D2ZZ\n\
1547 SK</code>. When operating in a group or net it is usual to sign <code>AA3AE es gp de ZK8WW\n\
1548 K</code>.</p></div>\n\
1549 <div class=\"paragraph\"><p>It is also considered a courtesy to send a blank line or two (press <code>Enter</code>)\n\
1550 before any text at the start of an over, and following the last text at the end\n\
1551 of an over. You can also place these in the macros. The purpose is to separate\n\
1552 your text from the previous text, and especially from any rubbish that was\n\
1553 printed between overs.</p></div>\n\
1554 <div class=\"paragraph\"><p>Fldigi does all of this for you. The Function Keys are set up to provide these\n\
1555 start and end of over facilities, and can be edited to suit your preferences. In\n\
1556 order that the other station&#8217;s callsign can appear when these keys are used, you\n\
1557 need to set the other station&#8217;s callsign in the log data — it does not matter if\n\
1558 you use the log facility or not.</p></div>\n\
1559 <div class=\"admonitionblock\">\n\
1560 <table><tr>\n\
1561 <td class=\"icon\">\n\
1562 <img alt=\"Note\" src=\"data:image/png;base64,\n\
1563 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJXElEQVRo3u2ZW4xcZ5HHf1Xf951z\n\
1564 uudqD2PPxRPs2AnGTlg7K0jihDiBJIzA4g5P8IDywOUBgUBaZK3EC/JK2dU+IMFmxQMrJavdDCgo\n\
1565 SOQCwUYBh4ADCIOdYM84YYjHl/Gt7UnPTE+fr/bhnG57nAXHyQSC5E8qzZxudc/3r/pX1b9qxMz4\n\
1566 ez7K3/m5AuAKgL8lgLGxMRsdHbW+vj7r6+uz0dFRGxsb+6tWBXm1VWj79u02/sB9bN92J5XpY+Rn\n\
1567 TnFqdoavT9ZY94nPsGPHDnnDRmBsbMzGH7iPHe96B+nk88wfeI54ZIrlMzN8bVXK+AP38eCDD9ob\n\
1568 NgKjo6N27+oOKrVTzP9+LxocziviFeeF02kn/+zW8OijjxZ/RETeUBHYs2cPPVlG8w/7CNVAqARC\n\
1569 FkiyQMgSBkdWsWfPHmKMAFh5Xg8A/rLCJWIiQqVSIT82SagG1CvqFBcU9UUkdHiYubmn8f5lX28i\n\
1570 gojgnFv0RpIkpGna/kyz2aTRaHDu3DlZSgCcOfZbPvCRezg5fZwVWSguHAoQ6h2udxk1Ejo7K/zs\n\
1571 h99i2bJuujorZFmKqtJmk1wIIBZkEEVEy6jBqmvuxszsL1HwsgB472mc3ccH77qKf/3WTv5tQw++\n\
1572 mqAl9/3QavL+q/nPXXs5WzvLzPEn8fMZ2lUhZgHnpARwEXPFgSaIZoiEAgBGmqbEGF8WrVedA0V4\n\
1573 lffeeT2dt27ky/trTDcDumIQ9w9bOd0xzFfGnmBmfB/RIo2FnBghj5FWCkQTDIdpdt4kgKQgCWgC\n\
1574 LkM0bQNYMgqFEIg41Kd87lPv4pPPHOKepycZ3/U88AtuGuhlW7XJ2r7AU9lKZl5q0N2VEU3Jo+Lw\n\
1575 gBQet/MXE00QDYVJAqKYRNI0Jc9zQghLE4FKpYKqw/uENMv4wqfv4re1Ov+zoYtfvX053xhR1mbC\n\
1576 tl8fZ+uWtbw0mzM3ZzQXhIiC+NICoh1tgwASyggEEI8Q8N4vbQTSNEXF43yC88Z1bxlhx/YP8U/f\n\
1577 eYr9vz6MGTTzyB1b1tFZzZhvROYWjHMvLRDSBKfgvOLEYeSLIgCuBOfKhDacc1yq+l42hdR7RAPq\n\
1578 IiHNeOu1q/jSZ+9m5twMj+zcz4GJ43R1ZQTvUfUYiqljds5QB5koooq7uMS2L1/SDOOV9L/LAuCc\n\
1579 Q8QjmhC8kKQLVCoVurvmUTHu3rqet20Yptk0li3vIkkCgsNrwIeAmbCQQxSo+D/D6FaVski8IPmX\n\
1580 DADicK6gUPCBjmpGnldwKlQrGStXLKfZjIgolWrRnAyl2RScKkkaLuoBgOsBrWDSBTYHoiBckv+X\n\
1581 DSDGCCaAEHxCkgbyPMWsShocC80m0UBR1DmS4HGqpFmGiKLOE6MS1AN5cfFFp1FcHsHQpQdQr9dR\n\
1582 VVQE54TEJ1iaguWkwZPnOSCIFpcIwZMkgTRNgLJbO4cLKaYJSPUCkZGXzM8Q8jaFlj4CIqhz5FEI\n\
1583 icNiwElKjIE8RlQVp44YDVSLvFFH8J7TtTpTR09zw+bNWNFuOXjoMKfOzPCPmzaSuBQRxTDAXhGA\n\
1584 y+oDqopoUS1c8DhN+Pkz40RTfv/cESYm5+jsGaTaPcCv9p3gP/7rp+zd/yLOJxw+epbdeyZ5fNez\n\
1585 HPrjMUQTvv3fP+LFw6fo7e7m2w88gmhx9aLRXbqEXjaA7q4qoh71Kd4HVD0nT9d5+NHf8NK8o3a2\n\
1586 zk9/vo8jx04zfaLGlz//cQ5N1jkyLczMpSRplZtu3MTVa0YwYPrkGW6/7QbWv2UNQwN9mChC0QdM\n\
1587 3dJH4GXa2IwV/T08e/AYd91+A+/euomDE4f55TN/4J03X4+I8OH338zjT+zm+reuYsP6NW1hZnh6\n\
1588 e3r4l3//Xx586Eluu+XGopm9nvPA/3dWruilt7ez/byst4uJF6bYcuOGNsg8Lz1pCzTmZwF45LEn\n\
1589 2fy2tdyw6VqeO/AnFprzQOfrB6Ber7+MkOqrDKwcYmHhF+cB9ffSt7yb7/3gKa65ephnD/yJD7zv\n\
1590 9lLNOmbn5gE4N1NnzeohnHNsWL+aY9PnWi25tLi0AGq1GlddNYBIwLmEPM9R16BvWZUvfnYb6grF\n\
1591 uPXWzYDwzps3cfxEjdtu2UyWJYgoK1f0sXzqFCLKRz94N4//+Gl+s/cQMc+57rprGRocBBUQg+iW\n\
1592 FsDU1BRvWtZTdtGAc44oxTTV1dWJxVnMiioi4kjSDlYN9RdTVtkXsqzCrTdtApQQYNvoLS01V5pg\n\
1593 SKE1yMnz/JJ66BUDGB8fZ2iwvwAgvtTzOeCK0opg0QozKSQBgqpiOEQcqF2geRZ7WPAIWjigGJ6X\n\
1594 VsxNTEzQ399TzKztZlO0fIvFc7RIbtCqfqpSRAAFWiXSl2LNFitR1cIZUipR4y8OMpddRl944Xmu\n\
1595 GhkqQoyAcf53UcyUGB15VPJcCovFa2ZalsjCwyDF4NIyKb+nbJSiBaAkSZYGwM6dO23Xrp9wxx13\n\
1596 Fl43w1pS1ygjUihVMy1N2k62lm4o+W6imMW2FTR0SCkUBSlF4xIl8dTUFB/70B1UKykL9ZOYWJln\n\
1597 0m4+xb4nomrlpQoKiRTvtXS+mIIqqpWLhBaggpiVjim00GsaKVs7mb179/K+94yWnAeLBtEwYtuz\n\
1598 IkXC+lIzAWj52vlktKJEGkQWFlNBBMwRpQBgllOv11/7QGNmdv/99/PVr9xDY/YEZpGjR6fJmw1+\n\
1599 t+8A0ydO87v9E1iMdHV20NPTwdrVg1y3YR0iMDzUX0Shve2JCBGJzcUBUI/aAmbGi0eOsn/fBLVa\n\
1600 bUkAFFOV5Xz34SewPOexH+1maNVaurs66ehezpprljEwMMDs7Cxnz9WYnDYe++b3mTlznGo1o7O7\n\
1601 g5GhAa5dN8L1G69hYKAfs/ND/dSRUxydPsn4xCR/nDzC5ORRjk6f4t57721H81Vtp83MYowMDw/T\n\
1602 bDYREbZs2cLo6CgDAwN0dnYiIsXGrtFAVQkhkOc58/PzqCr1ep3du3fT0dHBwYMHeeihh1BVVq9+\n\
1603 8wWjqmdwcJD169ezbt06Nm7cSH9/P1mWMTIyQqVSkVe9Xm82m9ZsNpmdnWVubo5Go0GMsc3rVqK1\n\
1604 nluc997jnGv/bOWImTE3N7do8WtmNJvN9hDvnCNJEpIkoVKp4L1/7btRVW17uDXge+9pbZtb1gr5\n\
1605 hc8X7za994uoISLEGNvSoWVJkrw2Cl35L+UVAFcAXAFwBcClzv8B3eu58OmgDQoAAAAASUVORK5C\n\
1606 YII=\" />\n\
1607 </td>\n\
1608 <td class=\"content\">\n\
1609 <div class=\"title\">Macro symbols</div>\n\
1610 <div class=\"paragraph\"><p>Some Function Key Macro buttons have graphic symbols on them which imply\n\
1611 the following:</p></div>\n\
1612 <div class=\"hdlist\"><table>\n\
1613 <tr>\n\
1614 <td class=\"hdlist1\">\n\
1615 <strong><code>&gt;&gt;</code></strong>\n\
1616 <br />\n\
1617 </td>\n\
1618 <td class=\"hdlist2\">\n\
1619 <p style=\"margin-top: 0;\">\n\
1620 The transmitter comes on and stays on when you use this button/macro.\n\
1621 </p>\n\
1622 </td>\n\
1623 </tr>\n\
1624 <tr>\n\
1625 <td class=\"hdlist1\">\n\
1626 <strong><code>||</code></strong>\n\
1627 <br />\n\
1628 </td>\n\
1629 <td class=\"hdlist2\">\n\
1630 <p style=\"margin-top: 0;\">\n\
1631 The transmitter goes off when the text from this button/macro has been\n\
1632          sent.\n\
1633 </p>\n\
1634 </td>\n\
1635 </tr>\n\
1636 <tr>\n\
1637 <td class=\"hdlist1\">\n\
1638 <strong><code>&gt;|</code></strong>\n\
1639 <br />\n\
1640 </td>\n\
1641 <td class=\"hdlist2\">\n\
1642 <p style=\"margin-top: 0;\">\n\
1643 The transmitter comes on, sends the text from this button/macro, and\n\
1644          goes off when the text from this button/macro has been sent.\n\
1645 </p>\n\
1646 </td>\n\
1647 </tr>\n\
1648 </table></div>\n\
1649 </td>\n\
1650 </tr></table>\n\
1651 </div>\n\
1652 <div class=\"paragraph\"><p>The Macros are set up to control the transmitter as necessary, but you can also\n\
1653 switch the transmitter on at the start of an over with <code>Ctrl</code> and <code>T</code> or the TX\n\
1654 macro button, and off again with <code>Ctrl</code> and <code>R</code> or the RX macro button. If you\n\
1655 have Macros copied into or text already typed in the Transmit pane when you\n\
1656 start the transmitter, this is sent first.</p></div>\n\
1657 <div class=\"paragraph\"><p>Calling another station you have tuned in is as simple as pushing a button. Put\n\
1658 his callsign into the log data (right click, select Call) and press the <code>ANS</code>\n\
1659 Macro button (or F2) when you are ready. If he replies, you are in business!\n\
1660 Then press <code>QSO</code> (F3) to start each over, and <code>BTU</code> (F4) to end it, and <code>SK</code>\n\
1661 (F5) to sign off.</p></div>\n\
1662 <div class=\"admonitionblock\">\n\
1663 <table><tr>\n\
1664 <td class=\"icon\">\n\
1665 <img alt=\"Note\" src=\"data:image/png;base64,\n\
1666 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJXElEQVRo3u2ZW4xcZ5HHf1Xf951z\n\
1667 uudqD2PPxRPs2AnGTlg7K0jihDiBJIzA4g5P8IDywOUBgUBaZK3EC/JK2dU+IMFmxQMrJavdDCgo\n\
1668 SOQCwUYBh4ADCIOdYM84YYjHl/Gt7UnPTE+fr/bhnG57nAXHyQSC5E8qzZxudc/3r/pX1b9qxMz4\n\
1669 ez7K3/m5AuAKgL8lgLGxMRsdHbW+vj7r6+uz0dFRGxsb+6tWBXm1VWj79u02/sB9bN92J5XpY+Rn\n\
1670 TnFqdoavT9ZY94nPsGPHDnnDRmBsbMzGH7iPHe96B+nk88wfeI54ZIrlMzN8bVXK+AP38eCDD9ob\n\
1671 NgKjo6N27+oOKrVTzP9+LxocziviFeeF02kn/+zW8OijjxZ/RETeUBHYs2cPPVlG8w/7CNVAqARC\n\
1672 FkiyQMgSBkdWsWfPHmKMAFh5Xg8A/rLCJWIiQqVSIT82SagG1CvqFBcU9UUkdHiYubmn8f5lX28i\n\
1673 gojgnFv0RpIkpGna/kyz2aTRaHDu3DlZSgCcOfZbPvCRezg5fZwVWSguHAoQ6h2udxk1Ejo7K/zs\n\
1674 h99i2bJuujorZFmKqtJmk1wIIBZkEEVEy6jBqmvuxszsL1HwsgB472mc3ccH77qKf/3WTv5tQw++\n\
1675 mqAl9/3QavL+q/nPXXs5WzvLzPEn8fMZ2lUhZgHnpARwEXPFgSaIZoiEAgBGmqbEGF8WrVedA0V4\n\
1676 lffeeT2dt27ky/trTDcDumIQ9w9bOd0xzFfGnmBmfB/RIo2FnBghj5FWCkQTDIdpdt4kgKQgCWgC\n\
1677 LkM0bQNYMgqFEIg41Kd87lPv4pPPHOKepycZ3/U88AtuGuhlW7XJ2r7AU9lKZl5q0N2VEU3Jo+Lw\n\
1678 gBQet/MXE00QDYVJAqKYRNI0Jc9zQghLE4FKpYKqw/uENMv4wqfv4re1Ov+zoYtfvX053xhR1mbC\n\
1679 tl8fZ+uWtbw0mzM3ZzQXhIiC+NICoh1tgwASyggEEI8Q8N4vbQTSNEXF43yC88Z1bxlhx/YP8U/f\n\
1680 eYr9vz6MGTTzyB1b1tFZzZhvROYWjHMvLRDSBKfgvOLEYeSLIgCuBOfKhDacc1yq+l42hdR7RAPq\n\
1681 IiHNeOu1q/jSZ+9m5twMj+zcz4GJ43R1ZQTvUfUYiqljds5QB5koooq7uMS2L1/SDOOV9L/LAuCc\n\
1682 Q8QjmhC8kKQLVCoVurvmUTHu3rqet20Yptk0li3vIkkCgsNrwIeAmbCQQxSo+D/D6FaVski8IPmX\n\
1683 DADicK6gUPCBjmpGnldwKlQrGStXLKfZjIgolWrRnAyl2RScKkkaLuoBgOsBrWDSBTYHoiBckv+X\n\
1684 DSDGCCaAEHxCkgbyPMWsShocC80m0UBR1DmS4HGqpFmGiKLOE6MS1AN5cfFFp1FcHsHQpQdQr9dR\n\
1685 VVQE54TEJ1iaguWkwZPnOSCIFpcIwZMkgTRNgLJbO4cLKaYJSPUCkZGXzM8Q8jaFlj4CIqhz5FEI\n\
1686 icNiwElKjIE8RlQVp44YDVSLvFFH8J7TtTpTR09zw+bNWNFuOXjoMKfOzPCPmzaSuBQRxTDAXhGA\n\
1687 y+oDqopoUS1c8DhN+Pkz40RTfv/cESYm5+jsGaTaPcCv9p3gP/7rp+zd/yLOJxw+epbdeyZ5fNez\n\
1688 HPrjMUQTvv3fP+LFw6fo7e7m2w88gmhx9aLRXbqEXjaA7q4qoh71Kd4HVD0nT9d5+NHf8NK8o3a2\n\
1689 zk9/vo8jx04zfaLGlz//cQ5N1jkyLczMpSRplZtu3MTVa0YwYPrkGW6/7QbWv2UNQwN9mChC0QdM\n\
1690 3dJH4GXa2IwV/T08e/AYd91+A+/euomDE4f55TN/4J03X4+I8OH338zjT+zm+reuYsP6NW1hZnh6\n\
1691 e3r4l3//Xx586Eluu+XGopm9nvPA/3dWruilt7ez/byst4uJF6bYcuOGNsg8Lz1pCzTmZwF45LEn\n\
1692 2fy2tdyw6VqeO/AnFprzQOfrB6Ber7+MkOqrDKwcYmHhF+cB9ffSt7yb7/3gKa65ephnD/yJD7zv\n\
1693 9lLNOmbn5gE4N1NnzeohnHNsWL+aY9PnWi25tLi0AGq1GlddNYBIwLmEPM9R16BvWZUvfnYb6grF\n\
1694 uPXWzYDwzps3cfxEjdtu2UyWJYgoK1f0sXzqFCLKRz94N4//+Gl+s/cQMc+57rprGRocBBUQg+iW\n\
1695 FsDU1BRvWtZTdtGAc44oxTTV1dWJxVnMiioi4kjSDlYN9RdTVtkXsqzCrTdtApQQYNvoLS01V5pg\n\
1696 SKE1yMnz/JJ66BUDGB8fZ2iwvwAgvtTzOeCK0opg0QozKSQBgqpiOEQcqF2geRZ7WPAIWjigGJ6X\n\
1697 VsxNTEzQ399TzKztZlO0fIvFc7RIbtCqfqpSRAAFWiXSl2LNFitR1cIZUipR4y8OMpddRl944Xmu\n\
1698 GhkqQoyAcf53UcyUGB15VPJcCovFa2ZalsjCwyDF4NIyKb+nbJSiBaAkSZYGwM6dO23Xrp9wxx13\n\
1699 Fl43w1pS1ygjUihVMy1N2k62lm4o+W6imMW2FTR0SCkUBSlF4xIl8dTUFB/70B1UKykL9ZOYWJln\n\
1700 0m4+xb4nomrlpQoKiRTvtXS+mIIqqpWLhBaggpiVjim00GsaKVs7mb179/K+94yWnAeLBtEwYtuz\n\
1701 IkXC+lIzAWj52vlktKJEGkQWFlNBBMwRpQBgllOv11/7QGNmdv/99/PVr9xDY/YEZpGjR6fJmw1+\n\
1702 t+8A0ydO87v9E1iMdHV20NPTwdrVg1y3YR0iMDzUX0Shve2JCBGJzcUBUI/aAmbGi0eOsn/fBLVa\n\
1703 bUkAFFOV5Xz34SewPOexH+1maNVaurs66ehezpprljEwMMDs7Cxnz9WYnDYe++b3mTlznGo1o7O7\n\
1704 g5GhAa5dN8L1G69hYKAfs/ND/dSRUxydPsn4xCR/nDzC5ORRjk6f4t57721H81Vtp83MYowMDw/T\n\
1705 bDYREbZs2cLo6CgDAwN0dnYiIsXGrtFAVQkhkOc58/PzqCr1ep3du3fT0dHBwYMHeeihh1BVVq9+\n\
1706 8wWjqmdwcJD169ezbt06Nm7cSH9/P1mWMTIyQqVSkVe9Xm82m9ZsNpmdnWVubo5Go0GMsc3rVqK1\n\
1707 nluc997jnGv/bOWImTE3N7do8WtmNJvN9hDvnCNJEpIkoVKp4L1/7btRVW17uDXge+9pbZtb1gr5\n\
1708 hc8X7za994uoISLEGNvSoWVJkrw2Cl35L+UVAFcAXAFwBcClzv8B3eu58OmgDQoAAAAASUVORK5C\n\
1709 YII=\" />\n\
1710 </td>\n\
1711 <td class=\"content\">\n\
1712 <div class=\"paragraph\"><p>When typing text, the correct use of upper and lower case is important:</p></div>\n\
1713 <div class=\"ulist\"><ul>\n\
1714 <li>\n\
1715 <p>\n\
1716 Modes such as RTTY and THROB have no lower case capability.\n\
1717 </p>\n\
1718 </li>\n\
1719 <li>\n\
1720 <p>\n\
1721 In most other modes, excessive use of upper case is considered impolite, like\n\
1722   SHOUTING!\n\
1723 </p>\n\
1724 </li>\n\
1725 <li>\n\
1726 <p>\n\
1727 Modes such as PSK31, MFSK16, DominoEX and THOR use character sets which are\n\
1728   optimised for lower case. You should use lower case as much as possible in\n\
1729   these modes to achieve maximum text speed. In these modes upper case\n\
1730   characters are noticeably slower to send and also slightly more prone to\n\
1731   errors.\n\
1732 </p>\n\
1733 </li>\n\
1734 </ul></div>\n\
1735 </td>\n\
1736 </tr></table>\n\
1737 </div>\n\
1738 </div>\n\
1739 <div class=\"sect2\">\n\
1740 <h3 id=\"_adjustment\">4.2. Adjustment</h3>\n\
1741 <div class=\"paragraph\"><p>Most digital modes do not require much transmitter power, as the receiver\n\
1742 software is very sensitive. Many modes (PSK31, THROB, MT63) also require very\n\
1743 high transmitter linearity, which is another reason to keep transmitter power\n\
1744 below 30% of maximum. Some modes (Hellschreiber, Morse) have high peak power\n\
1745 output, which may not indicate well on the conventional power meter, another\n\
1746 reason to keep the average transmitted power low to prevent a very broad signal\n\
1747 being transmitted.</p></div>\n\
1748 <div class=\"paragraph\"><p>Adjust the transmitter output power using the TUNE button, top right, beyond the\n\
1749 Menu. The output will be the same as the peak power in other modes. Adjust the\n\
1750 master Volume applet Wave Out and Master Volume controls to achieve the\n\
1751 appropriate power. Use of excessive drive will result in distortion (signal\n\
1752 difficult to tune in, and often poorer reception) and a very broad signal.</p></div>\n\
1753 <div class=\"paragraph\"><p>Some multi-carrier modes (MT63 for example) may require individual adjustment as\n\
1754 the average power may be rather low.</p></div>\n\
1755 <div class=\"admonitionblock\">\n\
1756 <table><tr>\n\
1757 <td class=\"icon\">\n\
1758 <img alt=\"Tip\" src=\"data:image/png;base64,\n\
1759 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJk0lEQVRo3u1aWWxU5xX+Zl/sGS8z\n\
1760 4wVMbWzjEpxiF0pDgIaAoAQ1CgW3oqkqQA0vhJCgpCD6Rh7oQynKA5WoKqUyCSGKWNqmqgppTAJK\n\
1761 EcalTkwNcYw3wPs6M559xtP//J5/dGd8Z+ba0KBIXOlovN3/nu+s3znXqmg0im/ypcY3/HoM4DGA\n\
1762 B7y0D+ugaKwa0IcoDNICoVKp4p+Sr1WPHAApPjU1BSGRSISLAEIilCbRaDRc1Go1SZQ+HwTInAEw\n\
1763 ZaNC4XA4jAsXLuDy5ctobm5GZ2cnRkdHEQgEYDAYYLPZUFZWhqVLl2LNmjXYuHEjdDpdXBigaAzQ\n\
1764 rIGoZtsHhMVJ6a6uLpw4cQKnT59GXsliVCxZhsLi+ci2WmDUG5hiau6BQDCIyclJDA30ov3mDYz0\n\
1765 tGLbtm3YvXs3ysvLOUi9Xg+tVovZemRWAMjqZPFQKITDhw/j6NGjWLftJVQtqYUl2wyXxweX24tJ\n\
1766 rx/+YAihcIQQc6UMeh1MRj2sWWZmdTXu3rmFjz74A/bs2YNDhw4hKysLJpNJeESxNxQDIOXJ6tev\n\
1767 X8e+ffugc1RixdPPwmwyom9oDIOjTq60NN4TRJLAJAQmz2rGnZZGjPe04MiRI1i5ciUHQh6JeUP1\n\
1768 UMqoUP78+fPYsGEDFq7YjGfWPwePP4gbtzrR0zfMwiQENVNMnQoAhcZ0eHAJBMMMtBuO8hpUPPU8\n\
1769 tm/fjjNnzsDpdMLn8/EQpec+cBJLlf/Fjp34+StvoqDAgc57A9zqceVkrBwvmWk8EgxFoNLnYPOO\n\
1770 g3j9jQO8km3dupU/m0KKeSKazhNpQ4gSlpRvbGzklt/+8mHYHHZ82XEfzkmvvLKIwj02Bs+kC1Fm\n\
1771 QIPRiDx7AYxmszwgCeiIbwIfn34LJ0+e5NUqJycHRnY/hVOqxE4LgCVslErh6tWrUc7CpryiErfa\n\
1772 7yYon2zd0cF+RIIB7N1Vh7ofrWVxbkFrezf+dO4S7twbSu2dGBD3UA96Wxpw9uxZ2O12WK1WnhMs\n\
1773 sVWzygEROlRtKGFJ+Q4WNk5WaaSxrJYIK7DweTx4681X8fLOrSi057PyqMN3qxfh2K9/iYoFRTMA\n\
1774 xO+f7gPIss2HqbAKx44dg8vlypgP6nS1nuo8lcoVq9ZheNyFIRHzMknJu6xaA2t2Fn74zPdnnKln\n\
1775 5fHF53+QukrFRG8wwlG6GPX19Whvb4eHGSTI+gjpE5UJl1QAeIelJrW+bjeyzCbc6x/JWF14vc/O\n\
1776 hj8QlPVqZWnRDNBykm21YfmGn+LUqVO8AVIYC3qiGAA1K+qw366uQT+r86FQWFGZtOTk492/fCIL\n\
1777 4NoX7fFwSQdEx7yQ6yjh9IQAUBiRPooAiPC5ePEi8hcsZh02G0NjrpRxr5YBcr6hCa8deRuXrt3k\n\
1778 CU/y9rkGnsgJZ8TiXs4oBlMW7N96gvMrAUAujLSpwodurKheDjdL2hkdNqneh8Mh+Fms0kMiLOEi\n\
1779 UxH0dnfh0qf/ojIHNSuDJWULRTnM2K3BAZhhL6lEU1MTNm3aNH0204tohrSiygIgpMQqFz39Qsp6\n\
1780 Lx5I10h/H4od+YxlrkTlwhLMK7ShwJYHq8XMqYaOKe7yePHab+o5T8qUA3SuXm+EyWxBW9sX8Pv9\n\
1781 0kTO3IkJKVHiZZusGOsbibsYKR6o0Wjxx98eQGlJUcqeQiROr9NmVj4mWsZOKRz7+vq48lRKSS8l\n\
1782 OcCF+LyRNRDiLJli38gImNefWHnuMn50vP7PuPllJ//+06ZWTDCmKo17dRoAalaSickSNyLlY71A\n\
1783 mQfoD6l0kWVDkanpBE7Bc0hsjgK0dvTCYctF8+1uNLDk/eTKNVSVzcMrO3/MLDeFc/+8npGlIomS\n\
1784 0C9F8sopn5bMUfsWN6RLYCHv/PUy3v3wyjTTZDFLBtj/Uh3//m7/MIapkilI4DgvCk97nuYDUj65\n\
1785 UgpulBIAjYEUexpm/aic0mk84mZur11SieXfqeJn9Q+PK459cW4kFISWRQBxIQq5BAInKUOyAOgG\n\
1786 mmGpiRj02mnKm4oeJwFhTQReVlJ/9sK6+Hk9VAgkYQgFQIIBLzdccXFxPG/kCOmMJBYH0AA+yGZY\n\
1787 EwullARMhhNR08k2G7F+VW38zHG3J6Fbp22EYuDxe+H3TqKiooL3D8m8nJlKULMgPt7e8m8+66az\n\
1788 VDKbpPhf9b0nOXkTlz8QTjudJQMKhwII+jwY6L6Nmpqa+MBPeinyAClCq4/BrhY+gKsycJeE5GO1\n\
1789 etmTixLOpPlXyZgpxOscYwrr2PP/y+dksbVQ5AGxfKLsp9VHT/stmJkC6jQPTJzIgAXzHAlnFttz\n\
1790 0tZ86bmUvO6JEbgmhrF27Vo+kUm3FUoAqAgp3UB7m3+8dxy5FtOMcEkFRIyA0qukyJ6ZBMaAOMeH\n\
1791 oGHW/+xv72DLli0J6xa5nZFsDoj6S0sn2tt89flVvteZEfsybNKam4uOnv6E8+YX5Ml6LxnQpHMU\n\
1792 XtcEhnu7UFdXh9LSUmQzNiwAKKpC0jCi2KOl00jn5wh7RtOGgABC9OOz5q8QYo1IXEUshOI8KIX3\n\
1793 /F43JgZ7WZOKsOf9B7t27eI9gADEZuJZAeBhRIlDLqSl099P/g7qsDd9EseUc3pDOP7eRxgYmWA9\n\
1794 JIyGxlaEiZKkiHtSfri3G2qm5KUzJ7B3716+kSCh50sSWDWnrQQN17R0euNXB7B5xwEYLLZZddV0\n\
1795 eyIKm/HB+5y8XXj/OF7f/yrn/4WFhYq2EmkXWyKZyQq0bCJOcvDgQTz7kz2w2kug0xsUdVU5IGFW\n\
1796 bVyjg/C4x/m5H3/we6b8fl6+icbkslyi54rknfNuVKxXqMMStb169SpftVjmP4GCsmo2gOfzTYIi\n\
1797 isDOCwcD8LjG4B4fYdVGi6H7XRjuvMHDpra2liufn5/Pwye2mcOcN3NyINxulmwTE3xvQ6uPp557\n\
1798 EXkFJTAYs2BkcywN5FpuNQ3jMmy6i4S5tYN+HwK+SdZhvUxxDQdw5cN6Xm0oYUnhvLw8bnmLxaJI\n\
1799 +TltpyknaFdDeUF7G1p90PbAUVqNwtIqPgZSchKpU03HDp8r+HsCBqCv6zYGOlp4k6I6T6WS4pwA\n\
1800 0Odst9Nzfj9A3iAgxFhJaAlAA3hbWxsfAync6O8ohkkxYpVEzIjbED0gC5vNZl4mSf7v7wfk3tDQ\n\
1801 vEAeITAk/tggQyIdAQW/IqtSSaRuLSgCydf2hibVOzKytBAxgAsA0oomaDEpm/SODF/bO7Jkb4gl\n\
1802 gAAjPsXPpABEh6evxaekSs3pTaXqYf2zx6N6T6x6/N8qj/j6H2ll/uhtrRpgAAAAAElFTkSuQmCC\" />\n\
1803 </td>\n\
1804 <td class=\"content\">\n\
1805 <div class=\"paragraph\"><p>Where possible, use the area above 1200Hz on the waterfall.</p></div>\n\
1806 <div class=\"ulist\"><ul>\n\
1807 <li>\n\
1808 <p>\n\
1809 Below 1200Hz the second harmonic of the transmitted audio will pass through\n\
1810   the transmitter filters.\n\
1811 </p>\n\
1812 </li>\n\
1813 <li>\n\
1814 <p>\n\
1815 When using lower frequency tones, adjust the transmitter and audio level with\n\
1816   great care, as the second (and even third) harmonic will appear in the\n\
1817   transmitter passband, causing excessive signal width.\n\
1818 </p>\n\
1819 </li>\n\
1820 <li>\n\
1821 <p>\n\
1822 A narrow (CW) filter in the rig is no help in this regard, as it is only used\n\
1823   on receive. When you do use a narrow filter, this will restrict the area over\n\
1824   which the receiver and transmitter will operate (without retuning of\n\
1825   course). Try adjusting the passband tuning (if available).\n\
1826 </p>\n\
1827 </li>\n\
1828 <li>\n\
1829 <p>\n\
1830 Keep the sound card audio level to a minimum and set the transmitter gain to a\n\
1831   similar level used for SSB.\n\
1832 </p>\n\
1833 </li>\n\
1834 </ul></div>\n\
1835 </td>\n\
1836 </tr></table>\n\
1837 </div>\n\
1838 </div>\n\
1839 <div class=\"sect2\">\n\
1840 <h3 id=\"_waterfall_tuning\">4.3. Waterfall Tuning</h3>\n\
1841 <div class=\"paragraph\"><p>When using this program, as with most other digital modes programs, tuning is\n\
1842 generally accomplished by leaving the transceiver VFO at a popular spot (for\n\
1843 example 14.070MHz, USB), and performing all the <em>tuning</em> by moving around within\n\
1844 the software.</p></div>\n\
1845 <div class=\"paragraph\"><p>The Fldigi software has a second &#8220;VFO&#8221; which is tuned by clicking on the\n\
1846 waterfall. On a busy band, you may see many signals at the same time (especially\n\
1847 with PSK31 or Morse), and so you can click with the mouse on any one of these\n\
1848 signals to tune it in, receive it, and if the opportunity allows, reply to the\n\
1849 station.</p></div>\n\
1850 <div class=\"paragraph\"><p>The software &#8220;VFO&#8221; operates in a transceive mode, so the transmitter signal is\n\
1851 automatically and exactly tuned to the received frequency. If you click\n\
1852 correctly on the signal, your reply will always be in tune with the other\n\
1853 station.</p></div>\n\
1854 <div class=\"admonitionblock\">\n\
1855 <table><tr>\n\
1856 <td class=\"icon\">\n\
1857 <img alt=\"Important\" src=\"data:image/png;base64,\n\
1858 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJ/UlEQVR42u1aeVCV5Ro/tFhOViZR\n\
1859 oVOZLSOO/JGTbfhHaVGWmoShMxnLlcMWsorJ4QAhCqIYgqmgAgIXWQTMvI4Ko8KkiOICIiIqivu+\n\
1860 7+tzn9833/d5385+cJx7Zy4zvwHP9533fX7P/j6vGiL6n8b/CSh48OAB3b9/X8Ldu3fpzp07AvAZ\n\
1861 nuG9/xICouBnDx2impkzaZGHB0VoNCoS+vShnO++o435+XTlyhW6devWIyXzSAQvnzgRwlpE2Cuv\n\
1862 UG5UFJ0+fZpu3rwJIl0mYbfw2Lw6LQ2CWY1wRgAj2MmJ6srL6fLly7CIao3HQkDRevqHHxoI+DND\n\
1863 KwsZaoZICOMnxh+zZ9O5c+foxo0bdlvDZuFPd3TArw2ECmJ44/fLL1My+3x2bCwVJiXR3OHDpeeR\n\
1864 TzwhvB8svz/ziy/o5MmTdO3aNbtIdFl4uIU/w69XL5rt7091dXXU0tJCh9hKnZ2dElrq66kkLIyS\n\
1865 3nyTYrp3NyCdNnQoHTt2DEGOjGUTiS4JD1cYz4j79ltJ8Pb2djp8+LBJtDU2ShkpwdkZFhFIpH7+\n\
1866 OR05csRmEl0SHlpfPGMGbd++HZqGAFah0NeXkvr2painn1ZJ+DAWczY7evQoXb161Wp3sphtoI2F\n\
1867 o0cbCO/v6EgVRUW0f/9+bGoz/iospERZKQoJX0YFK+T48eNSTNy7d88iCYupsiw0VBA+lBHAgbqs\n\
1868 oIB2794N37UbVVOmUOxLL6lr/wPKYaturqlRawU8wGYCEB7s2zZsMAhYaCkrJgaBCk11GSVBQTTp\n\
1869 2Wel9SfKrqTr35/27t1L58+fp9u3b5u1gim/R4Ex8HtoKF2rpW3bttGJEydMIiEhgUaMGEHu7u4U\n\
1870 Gxtr8j2kz/1NTTTHzU2NhxA5qLODg+ngwYModmbjwaTrrE5JEYQPZES5uFBtbS0CFpsbRQxbJ4i1\n\
1871 Oprjpj9rsjunzcDAQOGdU6dOCWhml/n1jTcowsFB2itAVlbdqlUS0evXr5us1ka1f2LfPkH4iXLl\n\
1872 XFlaSq2trdjUJEaOHEljxoyhnj178uoaBXgGvzaJP3Q60jk6qnvCVSe/9x72Q7U26UpGs05JSIhA\n\
1873 AIulslBIl9jMHLy9vWnQoEEQWsCZM2fM4uzZs5TxyScU9dRTqsX9GMsXLEBRRH1QXckkAQTu8fZ2\n\
1874 g5KP5quhoQHpz6wQyEo+Pj40YMAAAwLNzc0Q0ixa1q1DfYArqQkj8u23aefOnVCO0vgZJwBmMJOg\n\
1875 fVkLCziV7tq1y6IAyBpeXl7Ul4X4GwG4gVXI4eCP4zStBLQPoywriw4cOGA0oM1qP1RuzjZv3oyU\n\
1876 Z3FzEBg/frwxAnhmFVpqatAzCZkvol8/uC/iyKA2CL7/r+RkgYCWkRUcjECyuPGFCxckTJ8+nQYO\n\
1877 HCgIP3jwYDyzGou//56in3lGbdG9zVhBzTxIVfrevUXts+9v3LgR/mdys4sXLwrIzs6mUaNGkYOD\n\
1878 g0ogJCQEz6zGng0bhDbDDxnpgw9gBSUWVAJK3ofpBO1PYKR5eSH4jG5y6dIlo9i0aRONGzeOnJ2d\n\
1879 VQI1vDae2YJcT0/BCoiF9evXo7ih2VP7JBCQGBUHBQl5H2ZbU1mJnkVYGCY0A6Q71AI1DvqwJvG5\n\
1880 rdjKNefX118XrJAZHo4WBi6rttxwH6nz0zs7C52hztWVduzYYSCcNYAbuXDV7tatG6WkpOAzuzDt\n\
1881 3Xdp8nPPqfE46f33qb6+HglFDWYN3Odwa6tB6sxhtnv27MFCMJnNGDt2LHl6euJvu/FPHx81I/0s\n\
1882 14W1a9cimCGX5EYa5P7aRYvwktAR/rVmDQIG1nnsQEIBGoqKYAX19AYCv8k1CWkbbqTBRKBQqxUq\n\
1883 b4iTE17CIo8VLIsBEAdKjxTASOAUi7qEJg9upAHj37/5Rsj9iUOHov/AAjYDZT8iIoKGDRtGHh4e\n\
1884 aL0tfQeCmESxnx/pX31VrcyhXGPWccuBjhiyaxCcWV9/LRD4nc2EHI8FbAVaZ2Sh3lxTevToQW5u\n\
1885 bqbeRfaziBWTJ2MIoNamYO6zVnGbvY87ZsiuQU7P/OorIYCLU1OVDWyGq6urUAMAY+8h9qzBtrIy\n\
1886 NZDDId8LL1BVVZXUOEJ2DTQ9x91dIDCTCxG+bA+G8yDL0dFRER4WEJ4j8GzBdiaQ3K+fqODiYmpq\n\
1887 apICWcNFQSCghalcXBBUWMBmIAaGDBmiCI9/K+N1uwAXmvrWW6p8/uyahYWFaCukDliyQAm/pE6Q\n\
1888 GV6MVUuWCBvbCeTqLmHOp58iCz0c5/ApbenSpQ8JoD2oLS01mHN6Msrj4+3dGFWySzjIqTL/hx8o\n\
1889 /rXXhNY66ssvqYzdCpaVXAgVDcOpRBcXcZYvA11hFafFc52d1myM/qRL2MHC5XAcpfBA4Jfnnxe6\n\
1890 Y2kEqdfT8uXLpRZfCmL4Oo6K1RzZk3r1Mjvfz/joI1rPI/FDDQ0GG9v7c4FHjc2899IJE6TJxHR2\n\
1891 Ef5tMAT+iRHO6Xn+/PlUXV2tthNoJWAKqfKW5+VRtDwpM4XIJ58kPd+0JPNZNY97nQqeZ27KyaGW\n\
1892 P/+kXStW0EXuXo384JmKEp5ilwYEILtgHQQpihWOkmrbEC5r3VdubcL5qJnGFyolJSW0ZcuWh5UY\n\
1893 /oqKhqErSjT8K/6zz6y+dYnmjnPKiy9Kvhrn5GQVIKyOrY2JnDwLElxFKwvtB79nZUXzMTWVa1N+\n\
1894 fj6qMIoY3AdJ5uFxEsGMwwIOJMuWLaM506aRjn0xkgsHFn7EELQcJAvtKws9gRHMlon+8Udpyjeb\n\
1895 3bagoAAHI/g+JiBKOy2OEsEKJLZu3YpyLX0pi8+iSXwujvn4Y4qQj5y2IkwWNIQRIAuraNlXFljL\n\
1896 fT+EjmQ/xzgyiW930tPTaeHChVRRUSHdP7S1taFDRo1STmTiRA7xgP4CBwYwhTVABHkXC2VkZEgH\n\
1897 FD378C84ePM9WeA775Af+7AvCwDtGYHqDoA/+z0QyMKG8cXIJL7w0Ol0kqansdVnzZpF8+bNg/KQ\n\
1898 bXCMRMpEc6ncpwljd6NzUTBEhUZ2wpS4sbFRWmjlypVSjCzhIpfDgTt37lxsKJGaOnUqJSYmkl6v\n\
1899 h0DQooq4uDiK55oCIaFZCDqD7wGg4czMTFrA07fc3FwoCkIjy+DkpVxVQevIOFCwwYzU5P0v4gJE\n\
1900 4FaYx6B9hQmhDQQ7hrw4HYFUZWUliKFHgeakYMvLyzMAiBcVFSGTSG6xgjPS6tWrEZiYfqD1lpq0\n\
1901 jo4OeAGUiJOZejluebhrSARfxALIVAh0mBETZtx5YSNYCJuiuYIAiB+MIUHSAEh/sCaUgLSNIyuK\n\
1902 KJQDgRGcaG0gNIIUSpTdxeJ43SyR/yCDRUEI1sFGiBlYCcQgAMxtanKNZ3hHmeJBIXANrAWB4SLY\n\
1903 Q2lF7Lojs4UQNsKGCjHAUrst/OePvwlr10X3vwFbNLSnA5eGJAAAAABJRU5ErkJggg==\" />\n\
1904 </td>\n\
1905 <td class=\"content\">\n\
1906 <div class=\"paragraph\"><p>You <strong>must not</strong> use RIT (Clarifier) when using digital modes.</p></div>\n\
1907 <div class=\"ulist\"><ul>\n\
1908 <li>\n\
1909 <p>\n\
1910 With RIT on, you will probably have to retune after every over.\n\
1911 </p>\n\
1912 </li>\n\
1913 <li>\n\
1914 <p>\n\
1915 Use of the RIT will also cause the other station to change frequency, and you\n\
1916   will chase each other across the band.\n\
1917 </p>\n\
1918 </li>\n\
1919 <li>\n\
1920 <p>\n\
1921 Older transceivers without digital synthesis may have an unwanted offset\n\
1922   (frequency difference) between transmit and receive frequencies. Such rigs\n\
1923   should not be used for digital modes.\n\
1924 </p>\n\
1925 </li>\n\
1926 </ul></div>\n\
1927 </td>\n\
1928 </tr></table>\n\
1929 </div>\n\
1930 <div class=\"paragraph\"><p>Wider digital modes (MT63, Olivia) can be tuned using the rig if necessary, as\n\
1931 tuning is not at all critical. The software tuning still operates, but because\n\
1932 the signal is so wide, there is limited ability to move around in the waterfall\n\
1933 tuning.</p></div>\n\
1934 </div>\n\
1935 </div>\n\
1936 </div>\n\
1937 <div class=\"sect1\">\n\
1938 <h2 id=\"ref-special-keys\">5. Special Keys</h2>\n\
1939 <div class=\"sectionbody\">\n\
1940 <div class=\"paragraph\"><p>Several special keyboard controls are provided to make operating easier.</p></div>\n\
1941 <div class=\"paragraph\"><div class=\"title\">Start Transmission</div><p>Press <code>Ctrl</code> and <code>T</code> to start transmission if there is text ready in the transmit\n\
1942 buffer.</p></div>\n\
1943 <div class=\"paragraph\"><div class=\"title\">Pause Transmission</div><p>Press <code>Pause</code> or <code>Break</code> while in receive, and the program will switch to\n\
1944 transmit mode. It will continue with the text in the transmit buffer (the\n\
1945 Transmit pane text) from the current point, i.e. where the red (previously sent)\n\
1946 text ends and the black (yet to be sent) text begins. If the buffer only\n\
1947 contains unsent text, then it will begin at the first character in the\n\
1948 buffer. If the buffer is empty, the program will switch to transmit mode, and\n\
1949 depending on the mode of operation, will send idle characters or nothing at all\n\
1950 until characters are entered into the buffer.</p></div>\n\
1951 <div class=\"paragraph\"><p>If you press <code>Pause</code> or <code>Break</code> while in transmit mode, the program will return\n\
1952 to receive mode. There may be a slight delay for some modes like MFSK, PSK and\n\
1953 others, that requires the transmitter to send a postamble at the end of a\n\
1954 transmission. The transmit text buffer stays intact, ready for the\n\
1955 <code>Pause</code>/<code>Break</code> key to return you to the transmit mode .</p></div>\n\
1956 <div class=\"paragraph\"><p>Pressing <code>Alt</code> or <code>Meta</code> and <code>R</code> has the same effect as <code>Pause</code>/<code>Break</code>. You\n\
1957 could think of the <code>Pause</code>/<code>Break</code> key as a software break-in capability.</p></div>\n\
1958 <div class=\"paragraph\"><div class=\"title\">Escape</div><p>Pressing <code>Esc</code> while transmitting will abort the transmission. Transmission\n\
1959 stops as soon as possible, (any necessary postamble is sent), and the program\n\
1960 returns to receive. Any unsent text in the transmit buffer will be lost.</p></div>\n\
1961 <div class=\"admonitionblock\">\n\
1962 <table><tr>\n\
1963 <td class=\"icon\">\n\
1964 <img alt=\"Tip\" src=\"data:image/png;base64,\n\
1965 iVBORw0KGgoAAAANSUhEUgAAADAAAAAwCAYAAABXAvmHAAAJk0lEQVRo3u1aWWxU5xX+Zl/sGS8z\n\
1966 4wVMbWzjEpxiF0pDgIaAoAQ1CgW3oqkqQA0vhJCgpCD6Rh7oQynKA5WoKqUyCSGKWNqmqgppTAJK\n\
1967 EcalTkwNcYw3wPs6M559xtP//J5/dGd8Z+ba0KBIXOlovN3/nu+s3znXqmg0im/ypcY3/HoM4DGA\n\
1968 B7y0D+ugaKwa0IcoDNICoVKp4p+Sr1WPHAApPjU1BSGRSISLAEIilCbRaDRc1Go1SZQ+HwTInAEw\n\
1969 ZaNC4XA4jAsXLuDy5ctobm5GZ2cnRkdHEQgEYDAYYLPZUFZWhqVLl2LNmjXYuHEjdDpdXBigaAzQ\n\
1970 rIGoZtsHhMVJ6a6uLpw4cQKnT59GXsliVCxZhsLi+ci2WmDUG5hiau6BQDCIyclJDA30ov3mDYz0\n\
1971 tGLbtm3YvXs3ysvLOUi9Xg+tVovZemRWAMjqZPFQKITDhw/j6NGjWLftJVQtqYUl2wyXxweX24tJ\n\
1972 rx/+YAihcIQQc6UMeh1MRj2sWWZmdTXu3rmFjz74A/bs2YNDhw4hKysLJpNJeESxNxQDIOXJ6tev\n\
1973 X8e+ffugc1RixdPPwmwyom9oDIOjTq60NN4TRJLAJAQmz2rGnZZGjPe04MiRI1i5ciUHQh6JeUP1\n\
1974 UMqoUP78+fPYsGEDFq7YjGfWPwePP4gbtzrR0zfMwiQENVNMnQoAhcZ0eHAJBMMMtBuO8hpUPPU8\n\
1975 tm/fjjNnzsDpdMLn8/EQpec+cBJLlf/Fjp34+StvoqDAgc57A9zqceVkrBwvmWk8EgxFoNLnYPOO\n\
1976 g3j9jQO8km3dupU/m0KKeSKazhNpQ4gSlpRvbGzklt/+8mHYHHZ82XEfzkmvvLKIwj02Bs+kC1Fm\n\
1977 QIPRiDx7AYxmszwgCeiIbwIfn34LJ0+e5NUqJycHRnY/hVOqxE4LgCVslErh6tWrUc7CpryiErfa\n\
1978 7yYon2zd0cF+RIIB7N1Vh7ofrWVxbkFrezf+dO4S7twbSu2dGBD3UA96Wxpw9uxZ2O12WK1WnhMs\n\
1979 sVWzygEROlRtKGFJ+Q4WNk5WaaSxrJYIK7DweTx4681X8fLOrSi057PyqMN3qxfh2K9/iYoFRTMA\n\
1980 xO+f7gPIss2HqbAKx44dg8vlypgP6nS1nuo8lcoVq9ZheNyFIRHzMknJu6xaA2t2Fn74zPdnnKln\n\
1981 5fHF53+QukrFRG8wwlG6GPX19Whvb4eHGSTI+gjpE5UJl1QAeIelJrW+bjeyzCbc6x/JWF14vc/O\n\
1982 hj8QlPVqZWnRDNBykm21YfmGn+LUqVO8AVIYC3qiGAA1K+qw366uQT+r86FQWFGZtOTk492/fCIL\n\
1983 4NoX7fFwSQdEx7yQ6yjh9IQAUBiRPooAiPC5ePEi8hcsZh02G0NjrpRxr5YBcr6hCa8deRuXrt3k\n\
1984 CU/y9rkGnsgJZ8TiXs4oBlMW7N96gvMrAUAujLSpwodurKheDjdL2hkdNqneh8Mh+Fms0kMiLOEi\n\
1985 UxH0dnfh0qf/ojIHNSuDJWULRTnM2K3BAZhhL6lEU1MTNm3aNH0204tohrSiygIgpMQqFz39Qsp6\n\
1986 Lx5I10h/H4od+YxlrkTlwhLMK7ShwJYHq8XMqYaOKe7yePHab+o5T8qUA3SuXm+EyWxBW9sX8Pv9\n\
1987 0kTO3IkJKVHiZZusGOsbibsYKR6o0Wjxx98eQGlJUcqeQiROr9NmVj4mWsZOKRz7+vq48lRKSS8l\n\
1988 OcCF+LyRNRDiLJli38gImNefWHnuMn50vP7PuPllJ//+06ZWTDCmKo17dRoAalaSickSNyLlY71A\n\
1989 mQfoD6l0kWVDkanpBE7Bc0hsjgK0dvTCYctF8+1uNLDk/eTKNVSVzcMrO3/MLDeFc/+8npGlIomS\n\
1990 0C9F8sopn5bMUfsWN6RLYCHv/PUy3v3wyjTTZDFLBtj/Uh3//m7/MIapkilI4DgvCk97nuYDUj65\n\
1991 UgpulBIAjYEUexpm/aic0mk84mZur11SieXfqeJn9Q+PK459cW4kFISWRQBxIQq5BAInKUOyAOgG\n\
1992 mmGpiRj02mnKm4oeJwFhTQReVlJ/9sK6+Hk9VAgkYQgFQIIBLzdccXFxPG/kCOmMJBYH0AA+yGZY\n\
1993 EwullARMhhNR08k2G7F+VW38zHG3J6Fbp22EYuDxe+H3TqKiooL3D8m8nJlKULMgPt7e8m8+66az\n\
1994 VDKbpPhf9b0nOXkTlz8QTjudJQMKhwII+jwY6L6Nmpqa+MBPeinyAClCq4/BrhY+gKsycJeE5GO1\n\
1995 etmTixLOpPlXyZgpxOscYwrr2PP/y+dksbVQ5AGxfKLsp9VHT/stmJkC6jQPTJzIgAXzHAlnFttz\n\
1996 0tZ86bmUvO6JEbgmhrF27Vo+kUm3FUoAqAgp3UB7m3+8dxy5FtOMcEkFRIyA0qukyJ6ZBMaAOMeH\n\
1997 oGHW/+xv72DLli0J6xa5nZFsDoj6S0sn2tt89flVvteZEfsybNKam4uOnv6E8+YX5Ml6LxnQpHMU\n\
1998 XtcEhnu7UFdXh9LSUmQzNiwAKKpC0jCi2KOl00jn5wh7RtOGgABC9OOz5q8QYo1IXEUshOI8KIX3\n\
1999 /F43JgZ7WZOKsOf9B7t27eI9gADEZuJZAeBhRIlDLqSl099P/g7qsDd9EseUc3pDOP7eRxgYmWA9\n\
2000 JIyGxlaEiZKkiHtSfri3G2qm5KUzJ7B3716+kSCh50sSWDWnrQQN17R0euNXB7B5xwEYLLZZddV0\n\
2001 eyIKm/HB+5y8XXj/OF7f/yrn/4WFhYq2EmkXWyKZyQq0bCJOcvDgQTz7kz2w2kug0xsUdVU5IGFW\n\
2002 bVyjg/C4x/m5H3/we6b8fl6+icbkslyi54rknfNuVKxXqMMStb169SpftVjmP4GCsmo2gOfzTYIi\n\
2003 isDOCwcD8LjG4B4fYdVGi6H7XRjuvMHDpra2liufn5/Pwye2mcOcN3NyINxulmwTE3xvQ6uPp557\n\
2004 EXkFJTAYs2BkcywN5FpuNQ3jMmy6i4S5tYN+HwK+SdZhvUxxDQdw5cN6Xm0oYUnhvLw8bnmLxaJI\n\
2005 +TltpyknaFdDeUF7G1p90PbAUVqNwtIqPgZSchKpU03HDp8r+HsCBqCv6zYGOlp4k6I6T6WS4pwA\n\
2006 0Odst9Nzfj9A3iAgxFhJaAlAA3hbWxsfAync6O8ohkkxYpVEzIjbED0gC5vNZl4mSf7v7wfk3tDQ\n\
2007 vEAeITAk/tggQyIdAQW/IqtSSaRuLSgCydf2hibVOzKytBAxgAsA0oomaDEpm/SODF/bO7Jkb4gl\n\
2008 gAAjPsXPpABEh6evxaekSs3pTaXqYf2zx6N6T6x6/N8qj/j6H2ll/uhtrRpgAAAAAElFTkSuQmCC\" />\n\
2009 </td>\n\
2010 <td class=\"content\">\n\
2011 <div class=\"paragraph\"><p>If you press <code>Esc Esc</code> (i.e. twice in quick succession), transmission stops\n\
2012 immediately, without sending any postamble, and the program returns to\n\
2013 receive. Any unsent text in the transmit buffer will be lost. Use this feature\n\
2014 as an <strong>emergency stop</strong>.</p></div>\n\
2015 </td>\n\
2016 </tr></table>\n\
2017 </div>\n\
2018 <div class=\"paragraph\"><div class=\"title\">Return to Receive</div><p>Press <code>Ctrl</code> and <code>R</code> to insert the <code>^r</code> command in the transmit buffer at the\n\
2019 current typing point. When transmission reaches this point, transmission will\n\
2020 stop.</p></div>\n\
2021 <div class=\"paragraph\"><div class=\"title\">Move Typing Cursor</div><p>Press <code>Tab</code> to move the cursor (typing insertion point) to the end of the\n\
2022 transmit buffer. This will also pause transmission. A <code>Tab</code> press at that\n\
2023 position moves the cursor back to the character following the last one\n\
2024 transmitted.  Morse operation is slightly different. See the <a href=\"http://www.w1hkj.com/FldigiHelp/index.html\">Online Documentation</a> for CW.</p></div>\n\
2025 <div class=\"paragraph\"><div class=\"title\">Send Any ASCII Character</div><p>Press <code>Ctrl</code> and (at the same time) any three-digit number (on the numeric\n\
2026 keypad or the normal numeric keys) to insert the ASCII character designated by\n\
2027 that entry value into the transmit buffer. For example, <code>Ctrl 177</code> is &#8220;±&#8221;\n\
2028 (plus/minus) and <code>Ctrl 176</code> is &#8220;°&#8221; (degree). If you press a key other than the\n\
2029 numeric keypad&#8217;s 0-9 the sequence will be discarded.</p></div>\n\
2030 <h2 id=\"ref-credits\" class=\"float\">Credits</h2>\n\
2031 <div class=\"paragraph\"><p>Copyright &#169; 2008 Murray Greenman, <code>ZL1BPU</code>.</p></div>\n\
2032 <div class=\"paragraph\"><p>Copyright &#169; 2008-2009 David Freese, <code>W1HKJ</code>.</p></div>\n\
2033 <div class=\"paragraph\"><p>Copyright &#169; 2009 Stelios Bounanos, <code>M0GLD</code>.</p></div>\n\
2034 <div class=\"paragraph\"><p>License GPLv3+: <a href=\"http://www.gnu.org/licenses/gpl.html\">GNU GPL version 3 or later</a>.</p></div>\n\
2035 </div>\n\
2036 </div>\n\
2037 </div>\n\
2038 <div id=\"footnotes\"><hr /></div>\n\
2039 <div id=\"footer\">\n\
2040 <div id=\"footer-text\">\n\
2041 Last updated\n\
2042  2020-06-22 01:38:45 \n\
2043 </div>\n\
2044 <div id=\"footer-badges\">\n\
2045 <a href=\"http://validator.w3.org/check?uri=referer\">\n\
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2053     alt=\"Valid CSS!\" />\n\
2054 </a>\n\
2055 </div>\n\
2056 </div>\n\
2057 </body>\n\
2058 </html>\n\n";
2059