1Composer: Claudio Monteverdi 2Madrigal: 4.1 3Title: Ah, Dolente Partita 4Time Signature: 4/4 5Analyst: Dmitri Tymoczko 6Key Signature: 7 8Note: m1-6 open with a two voice texture in which harmony is ambiguous; the analysis begins with the first complete triad 9 10m7 a: iv6 11m7var1 VI7 b3 iv6 12m8 v 13m9 i 14m10 VII 15m11 III 16m12 b3 i6 17m13 iv b2 iio6 18m14 V 19Note: the harmony in m15-21 echoes m11-14 a fifth lower; this occurs several times in the piece. 20m15 i b3 VI d: III 21m17 i6 b3 IV 22m18 ii6 23m19 V 24m21 i 25m22 v a: i 26m24 b3 iv6/4 27m25 i 28m27 iv6 29m28 i6/4 b3 v 30m29 iv6 31m30 V 32m31 i 33m34 iv 34m35 i 35m37 d: iv6 b3 VI 36m38 i6/4 b3 V 37m39 i 38m41 v6 a: i6 39m42 VI 40m43 III 41m45 iio6 42m46 i6/4 b3 V 43m47 i 44m50 iv6 45m51 V 46m52 i 47m54 b2 VI6 b4 v6 48m55 iv6 b2 iii6 b3 iv6 49m56 V[no3] b4 III 50m57 VII b4 I 51m58 IV 52m59 IV b3 ii6 b4 ii 53m60 i6/4 b3 V 54Note: m62-65 repeat 57-60 a fifth lower 55m61 i b4 d: III 56m62-65 = m57-60 57m66 i 58m67 b2 v a: i b4.5 v6 59m68 iv6 b2.5 VII b3 i 60Note: beat 2.5 in m69 can be analyzed as passing, as a iv6 with a suspension (or upper-voice pedal), or as a seventh chord. 61m69 b2 v6 b2.5 iv6 b3 V b4 i6/4 62m69var1 b2 v6 b2.5 VI7 b3 V b4 i6/4 63m69var2 b3 V b4 i6/4 64m70 V b3 i 65m71 b3 d: i6 66m72 V6 b3 i 67m73 = m72 68m74 = m72 69m75 = m72 70m76 V b4.5 V2 71m77 i6 a: iv6 b2.5 VII b3 i 72m78 b3 V 73m79 b3 i 74m80 V b3 i 75m81 V b3 VI 76m82 V6/iv b3 iv 77m82var1 I6 b3 iv 78m83 v 79m84 i6/4 b3 V 80m85 = m84 81m86 = m84 82m87 b3 i6/4 83m88 V 84Note: final six measures of the piece echo the preceding music a fifth lower. I am analyzing this as I-iv-I rather than V-i-V in d minor. 85m89 I 86m90 b3 iv6/4 87m91 V b3 iv6/4 88m92 = m91 89m93 = m91 90m94 I 91m95 iv 92m96 I