1Composer: Claudio Monteverdi
2Madrigal: 5.1
3Title: Cruda amarilli, che col nome ancora
4Time Signature: 4/4
5Key signature:
6
7m1 G: I
8m2 vi7 b3 I6
9m3 V
10m4 I ||
11m5 C: I
12m6-8 = m2-4
13m9 I b4 V6
14m10 IV6 b3 vi b4 viio6/V
15m11 V b3 I
16Note: cross relation in m12, quinto F# vs. bass F
17m12 b3 I6
18Note: famous "unprepared seventh" in m13 (also m41)
19m13 V b3 V7
20m14 I || b3 I
21m15 b2 V6 b3 IV6
22m16 vi b2 viio6/V b3 V
23m17 I
24m18 b3 V
25m19 b4 V7
26Note: elided cadence in m20, phrase continues
27m20 I
28m21 b3 viio
29m22 I b3 viio6
30Note: unusual treatment of suspension in m23, reasonably common in Monteverdi; the 7-6 suspension is doubled a third below.
31m23 vi6/4 b3 V
32m23var1 I6 b3 V
33m23var2 iii7 b3 V
34m24 G: I6/4 b3 V
35m25 I ||
36m26 IV d: VII b4 i
37m27 V b3 I ||
38m28 VIII b3 v6 b4 iv6
39m29 V b3 i ||
40m30 b2 IV6 b3 VII a: III
41m31 b2 iv b3 V
42m32 V || b2 I C: V/ii b3 V/V
43m33 V6 b2 I
44m34 V ||
45m35 V
46Note: following measures have lots of canonic imitation producing parallel thirds, often over a pedal.  I am analyzing it all as an embellished tonic chord.
47m36 I
48m39 V || b3 V b4 I6
49m40 V6/V b3 V ||
50m41 I b2 IV6 b3 V6/5
51m42 I || b3.5 I
52m43 V b2 I b3 V/V b4 V ||
53m44 b3 d: ii
54m45 b3 v b4 IV6
55m46 viio
56Note: extensive imitative passage featuring rising stepwise line in quarters.
57m47 I || b3 C: I6
58m48 V
59m49 b3 V7
60m50 I ||
61m51 I
62m52 b3 d: i6
63m53 III+6
64m54 V b3 V7
65m55 I ||
66m56 i
67m57 G: viio6
68m58 I || b3 C: V
69m59 V
70m60 IV6 b3 I
71m61 I b3 V b4 I6/4
72Note: upper voices cadence in m62, bass continues imitative texture
73m62 b2 viio6 b3 I6 ||
74m63 V
75m64 V6 G: I6 b3 V
76m67 I