1Composer: Claudio Monteverdi 2Madrigal: 5.1 3Title: Cruda amarilli, che col nome ancora 4Time Signature: 4/4 5Key signature: 6 7m1 G: I 8m2 vi7 b3 I6 9m3 V 10m4 I || 11m5 C: I 12m6-8 = m2-4 13m9 I b4 V6 14m10 IV6 b3 vi b4 viio6/V 15m11 V b3 I 16Note: cross relation in m12, quinto F# vs. bass F 17m12 b3 I6 18Note: famous "unprepared seventh" in m13 (also m41) 19m13 V b3 V7 20m14 I || b3 I 21m15 b2 V6 b3 IV6 22m16 vi b2 viio6/V b3 V 23m17 I 24m18 b3 V 25m19 b4 V7 26Note: elided cadence in m20, phrase continues 27m20 I 28m21 b3 viio 29m22 I b3 viio6 30Note: unusual treatment of suspension in m23, reasonably common in Monteverdi; the 7-6 suspension is doubled a third below. 31m23 vi6/4 b3 V 32m23var1 I6 b3 V 33m23var2 iii7 b3 V 34m24 G: I6/4 b3 V 35m25 I || 36m26 IV d: VII b4 i 37m27 V b3 I || 38m28 VIII b3 v6 b4 iv6 39m29 V b3 i || 40m30 b2 IV6 b3 VII a: III 41m31 b2 iv b3 V 42m32 V || b2 I C: V/ii b3 V/V 43m33 V6 b2 I 44m34 V || 45m35 V 46Note: following measures have lots of canonic imitation producing parallel thirds, often over a pedal. I am analyzing it all as an embellished tonic chord. 47m36 I 48m39 V || b3 V b4 I6 49m40 V6/V b3 V || 50m41 I b2 IV6 b3 V6/5 51m42 I || b3.5 I 52m43 V b2 I b3 V/V b4 V || 53m44 b3 d: ii 54m45 b3 v b4 IV6 55m46 viio 56Note: extensive imitative passage featuring rising stepwise line in quarters. 57m47 I || b3 C: I6 58m48 V 59m49 b3 V7 60m50 I || 61m51 I 62m52 b3 d: i6 63m53 III+6 64m54 V b3 V7 65m55 I || 66m56 i 67m57 G: viio6 68m58 I || b3 C: V 69m59 V 70m60 IV6 b3 I 71m61 I b3 V b4 I6/4 72Note: upper voices cadence in m62, bass continues imitative texture 73m62 b2 viio6 b3 I6 || 74m63 V 75m64 V6 G: I6 b3 V 76m67 I