1\version "2.19.21" 2 3\header { 4 texidoc="Some classic examples of broken beams, all taken from 5Scriabin Op. 11, No. 1. 6" 7} 8 9\paper { 10 ragged-right = ##t 11} 12 13music = \relative { 14 \override Beam.breakable = ##t 15 r2. f''8[ c \break 16 e c f,] r8 r4 a'8[ e \break 17 g d g,] r8 r4 f'8[ a, \break 18 e' g, bes] r8 r4 <a' a,>8 [ d, \break 19 <g g,> d g,] r8 r4 <d' d,>8[ a \break 20 <c c,> g d] r8 r2 21 \clef bass 22 r2. d,,8[ d' \break 23 a'-4 d a] r8 r4 cis,,8[ cis' \break 24 bes' e g] r8 r4 g,,,8[ g' \break 25 f' b d ] r8 r2 | 26} 27 28\markup { "\override Beam.positions = #beam::place-broken-parts-individually (default)" } 29{ \music } 30 31\markup { "\override Beam.positions = #beam::align-with-broken-parts" } 32\markup { \justify { Returns y-positions at the ends of the beam such that beams align-across-breaks. } } 33{ 34 \override Beam.positions = #beam::align-with-broken-parts 35 \music 36} 37 38\markup { "\override Beam.positions = #beam::slope-like-broken-parts" } 39\markup { \justify { Approximates broken beam positioning in turn-of-the-century Editions Peters scores. } } 40{ 41 \override Beam.positions = #beam::slope-like-broken-parts 42 \music 43} 44